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TOMORROWLAND: Craig Hammack – VFX Supervisor – ILM

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Craig Hammack begins his career in visual effects at ILM in 1997. He works on projects such as TITANIC, STAR WARS: EPISODE III - REVENGE OF THE SITH, PIRATES OF THE CARIBBEAN: DEAD MAN'S CHEST or STAR TREK. He then became VFX Supervisor on THE LAST AIRBENDER and then supervise the effects for RED TAILS, BATTLESHIP and NOW YOU SEE ME.

Interviews of the Week #9

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Here is the recap of my interviews of the week #9. So you won't miss any of them. INTERSTELLAR: Ian Hunter - Miniature VFX Supervisor...

KINGSMAN – THE SECRET SERVICE: Matt Kasmir – VFX Supervisor –...

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In 2014, Matt Kasmir explained to us about Nvizible's work on EDGE OF TOMORROW. He then worked on DRACULA UNTOLD and PADDINGTON. Today, he talks about his work on KINGSMAN - THE SECRET SERVICE.

13th Annual VES Awards: The nominees

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Here are the nominations for the 13th Annual VES Awards: Congratulations to everyone! Outstanding Visual Effects in a Visual Effects-Driven Photoreal/Live Action Feature Motion Picture DAWN OF...

20th Critics’ Choice Movie Awards

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The nominations for the 20th Annual Critics’ Choice Movie Awards have been announced. Here are the nominees for Best Visual Effects: DAWN OF THE PLANET OF...

42nd Annual Annie Awards: The nominees

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The nominations for the 42nd Annual Annie Awards have just been announced! Congratulations to all nominees! Best Animated Feature Big Hero 6 - Walt Disney Animation Studios Cheatin‘...

Interviews of the Week #36

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Here is the recap of my interviews of the week #36. So you won't miss any of them. SIN CITY - A DAME TO KILL...

DAWN OF THE PLANET OF THE APES: Dave Houghton – Compositing...

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Before joining Weta Digital in 2001, Dave Houghton worked at Cinesite in London on films such as TOMORROW NEVER DIES or LARA CROFT: TOMB RAIDER. At Weta Digital, he worked on the LORD OF THE RINGS trilogy, KING KONG, AVATAR or MAN OF STEEL.

EDGE OF TOMORROW: Richard Baker – Senior Stereo Supervisor – Prime...

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Richard Baker began his career in visual effects as compositing artist. He worked on projects like THE HITCHHIKER'S GUIDE TO THE GALAXY, SUNSHINE, ANGELS & DEMONS or CLASH OF THE TITANS. He then got interested in the stereoscopy and joined Prime Focus World. There he take care of movies like FRANKENWEENIE, WORLD WAR Z or GRAVITY.

EDGE OF TOMORROW: Daniel Kramer – VFX Supervisor – Sony Pictures...

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Daniel Kramer began his career in visual effects there are more than 22 years. He worked at VisionArt on films like INDEPENDENCE DAY or GODZILLA. He joined Sony Pictures Imageworks in 2000 to work on SPIDER-MAN. He worked also on many projects such as THE POLAR EXPRESS, WATCHMEN or HOTEL TRANSYLVANIA.