Borderlands: Scott Stokdyk – Production VFX Supervisor
Back in 2021, Scott Stokdyk covered the visual effects behind Finch. This time, he's here to delve into the live-action version of the acclaimed...
Deadpool & Wolverine: Swen Gillberg (Production VFX Supervisor) & Lisa Marra...
For over 25 years, Swen Gillberg has been a key figure in the world of visual effects, working on blockbuster films like Furious 7,...
Time Bandits: Jelmer Boskma – VFX Supervisor – DNEG
Back in 2021, Jelmer Boskma discussed Scanline VFX's involvement in Eternals. He subsequently worked on Andor's first season and joined DNEG in 2022.
How did...
Deadpool & Wolverine: Dan Macarin – VFX Supervisor – Weta FX
In 2018, Dan Macarin discussed Weta FX's involvement in Deadpool 2, and since then, he has contributed to various projects like Aquaman, Lady and...
Deadpool & Wolverine: Matthew Twyford – VFX Supervisor – Framestore
Matthew Twyford explained the visual effects work done by Framestore on Thor: Love and Thunder in 2022. Following that, he participated in the VFX...
Dark Matter: John Heller (Production VFX Supervisor) & Marjolaine Tremblay (Production...
Back in 2019, John Heller discussed the visual effects crafted by FuseFX for season three of True Detective. He later contributed to The Good...
The Umbrella Academy – Final Season: Everett Burrell – Senior Visual...
In 2020, Everett Burrell shared insights into the visual effects for the second season of The Umbrella Academy. He later worked on the third...
Atlas: Marti Romances (Co-founder & Creative Director – Territory Studio) &...
Marti Romances has spent more than 10 years at Territory Studio, where he has worked on a wide array of projects including Ex Machina,...
The Boys – Season 4: Stephan Fleet – Production VFX Supervisor
Back in 2020, Stephan Fleet detailed the visual effects for the second season of The Boys. After working on the third season, he’s here...
Supacell: Taylor Tulip-Close (Production VFX Supervisor) & Laura Roderick (Production VFX...
Taylor Tulip-Close began his career in visual effects in 2004, working on Harry Potter and the Prisoner of Azkaban. Since then, he has contributed...