Doi Atsushi began his career in the visual effects in 1997 at Digital Frontier. He has worked on many films such as DEATH NOTE, GANTZ, I AM A HERO and INUYASHIKI.
Louis Morin explained his work on ARRIVAL in 2016. He then took care of the effects of WONDERSTRUCK. He talks to us today about his work on THE HOUSE WITH A CLOCK IN ITS WALLS.
José Manuel Weil started his career in visual effects in 2007 at Scanline VFX. He worked on 2012, THE AVENGERS, CLOUD ATLAS and SNOWPIERCER. As a VFX supervisor, he took care of the effects of ...
Yifu Zhou joined Digital Domain in 2013. He has worked on many commercials and also on MALEFICENT. He serves as Visual Effects Supervisor & VP and Head of Studio for Digital Domain Beijing.
In 2016, Russell Earl explained the work of ILM on CAPTAIN AMERICA: CIVIL WAR. He then worked on VIRAL and THE CLOVERFIELD PARADOX. Today, he returns to the MCU with AVENGERS: INFINITY WAR.
In 2010, Adrian de Wet explained the work of DNEG on THE SORCERER'S APPRENTICE. He then worked on THE TREE OF LIFE, TOTAL RECALL, THE HUNGER GAMES: CATCHING FIRE, THE HUNGER GAMES: MOCKINGJAY - PART ...
Mohsen Mousavi began his visual effects career more than 13 years ago. He worked at Pixomondo from 2005 to 2012 on films such as NINJA ASSASSIN, 2012, HUGO and RED TAILS. He then joins Scanline ...
In 2014, Sue Rowe explained the work of Method Studios on THE MAZE RUNNER. She then joins MPC and works on INDEPENDENCE DAY: RESURGENCE and LEGEND OF TARZAN. In 2016, she joined Sony Pictures Imageworks ...
In 2017, Huw Evans explained the work of DNEG on LIFE. He then worked on the new episode of MISSION: IMPOSSIBLE.
At the beginning of the year, Stephane Paris explained the work of Cinesite on THE COMMUTER. He then returns to the Marvel Cinematic Universe for ANT-MAN AND THE WASP.