Since his last visit, Scott Farrar has worked on the visual effects of THE HUNGER GAMES and WORLD WAR Z. He is now back in the Transformers universe with this new episode.
Kaori Otagaki has more than 10 years of experience in visual effects. She has worked many times with director Takashi Miike such as ZEBRAMAN...
Thrain Shadbolt has been working in visual effects for over 16 years. He began his career at Cinesite before joining Weta Digital in 2008. He has worked on numerous projects such as V FOR VENDETTA, AVATAR, DAWN OF THE PLANET OF THE APES, RAMPAGE and THE UMBRELLA ACADEMY.
After banking studies in Switzerland, Simon Otto pass through Les Gobelins animation school before being hired by Dreamworks Animation. It was In 1997 and since Simon has not left Dreamworks and worked almost all projects in the studio as THE PRINCE OF EGYPT, SPIRIT, SINBAD, FLUSHED AWAY as a animator and lead animator. He recently completed HOW TO TRAIN YOUR DRAGON on which he was head of character animation.
Last year, Justin Ball explained his work on THE CURRENT WAR. He then worked on NIGHT SCHOOL, THE OA PART II and UNHINGED.
In 2011, Danielle Plantec had detailed to us the work of Scanline VFX on IMMORTALS. She then worked on films such as IRON MAN 3 MAN OF STEEL or THE WOLF OF WALL STREET. In 2012, Byan Hirota talked about his work on SNOW WHITE AND THE HUNTSMAN at Pixomondo. He has moved then to Scanline VFX. Today, they explain in detail their work on the sequel of 300.
Zave Jackson start his career in visual effects in 2000 in the compositing. He joined Cinesite in 2006 and worked on many projects such as JOHN CARTER, SKYFALL, X-MEN: DAYS OF FUTURE PAST or THE MAN FROM U.N.C.L.E.
Philippe Rebours began his career in visual effects at BUF on THE CITY OF LOST CHILDREN. He then joined Industrial Light & Magic in...
Nicolas Aithadi is back on The Art of VFX. After spoken of HARRY POTTER AND THE HALF-BLOOD PRINCE, he talks now about his work on X-MEN FIRST CLASS.
Stuart Lashley is back on The Art of VFX. He talked about MIRROR MIRROR, he explains now the Prime Focus work on THE LAST STAND.