In 2011, Jesper Kjolsrud had explained in details the work of Image Engine for THE THING. He then supervised the effects R.I.P.D. As one of Image Engine’s longest serving crewmembers, Bernhard Kimbacher has contributed to many of the company’s projects, including DISTRICT 9; THE TWILIGHT SAGA: ECLIPSE; THE THING; BATTLESHIP and ELYSIUM. He joined Jesper on set in New Mexico as Plate Supervisor for LONE SURVIVOR and was also the Compositing Supervisor.
In 2015, Jessica Norman explained to us about the work of MPC on EXODUS: GODS AND KINGS. She then worked on A MONSTER CALLS and today she talks about her work on WONDER WOMAN.
Neil Huxley has worked more than 5 years at Digital Pictures Iloura as Flame operator before coming to the United States where he worked as art director on movies such as GAMER or WATCHMEN at yU+co. It's him that create the beautiful opening title sequence of this show. In 2009, he joined Prime Focus. In the following interview, he talks about his work on AVATAR.
Stephane Paris began his career in Paris in many studios like Duran Duboi on films like ASTERIX & OBELIX: MISSION CLEOPATRE or IMMORTAL (AD VITAM). He then worked at MPC and Weta Digital. In 2006, he joined the teams of Cinesite. He supervised the CG of movies like CLASH OF THE TITANS, PRINCE OF PERSIA: THE SANDS OF TIME or THE CHRONICLES OF NARNIA: THE VOYAGE OF THE DAWN TREADER.
Jörn Großhans started his career in visual effects in 2004. He worked at Pixomondo and Mackevision before joining Image Engine in 2018. He has worked on numerous shows such as SUCKER PUNCH, HUGO, THE SHANNARA CHRONICLES and GAME OF THRONES.
After working at BBC on PLANET DINOSAUR, Tom Brass joined Jellyfish Pictures in 2011. He worked on many projects such as AMERICAN DYNASTIES: THE KENNEDYS, DEADLY DINOSAURS WITH STEVE BACKSHALL and THE INNOCENTS. Dave Cook began his career in visual effects in 2004. He worked in many studios and then became Head of 3D at Jellyfish Pictures in 2015.
Before blasting zombie heads for Jim Jarmush for THE DEAD DON'T DIE, Alex Hansson took care of the visual effects of movies such as CHAPPAQUIDDICK, BORG MCENROE and MONKY. He is the founder of the studio Haymaker. Andreas Hylander has worked in visual effects for over twenty years. He has worked on many films like CENTURION, THE ZERO THEOREM, CHAPPAQUIDDICK and BORG MCENROE and he is the founder of Chimney Gothenburg.
At the end of last year, Florian Gellinger had explained the work of RISE on DOCTOR STRANGE. He talks to us today about his work on THE DARK TOWER, the adaptation of Stephen King's book.
Ronald Grauer has over 10 years of experience in visual effects. He has worked in studios such as Duboi Duran, Victor or Grid VFX. Since 3 years, he worked as VFX supervisor at Benuts. In the following interview, he discusses his work on CLOCLO (MY WAY).
In 2013, VFX Supervisor Ara Khanikian had explained in detail the work of Rodeo FX on NOW YOU SEE ME. He then worked on many projects and oversaw the visual effects of BIRDMAN and TOMORROWLAND. He now talks about THE LAST WITCH HUNTER, which marks the third Rodeo FX collaboration with Nick Brooks.