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ALITA – BATTLE ANGEL: Nigel Denton-Howes (VFX Supervisor), Andy Walker (CG...

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Last December, Nigel Denton-Howes explained the work of Framestore on MOWGLI: LEGEND OF THE JUNGLE. He is back today with Andy Walker, Sylvain Degrotte and Jerome Martinez to talk about their work on ALITA: BATTLE ANGEL.

THE PREY: François Ferracci – VFX Supervisor & Co-founder – Pik.sel

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François Ferracci has worked for 10 years as a graphic designer and has created many film credits as FROM PARIS WITH LOVE or Sheitan. He founded Pik.sel with David Goldenberg.

CAPTAIN AMERICA – THE FIRST AVENGER: Charlie Noble – VFX Supervisor...

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After telling us about his work on GREEN ZONE, Charlie Noble returns to the Art of VFX with his team of Double Negative to explain in detail his work on CAPTAIN AMERICA.

ROGUE ONE – A STAR WARS STORY: Margaux Durand-Rival – Previs...

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Margaux Durand-Rival explained to us the work of The Third Floor on EDGE OF TOMORROW in 2014. She then worked on numerous projects such as DRACULA UNTOLD, PADDINGTON, EXODUS: GODS AND KINGS and MISSION IMPOSSIBLE: ROGUE NATION.

THOR – RAGNAROK: Kevin Souls (VFX Supervisor) & Raphael A. Pimentel...

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Last July, Kevin Souls explained to us about the work of Luma Pictures on SPIDER-MAN: HOMECOMING. Raphael A. Pimentel has been working for nearly 14 years at Luma Pictures. He has participated in films such as HANCOCK, X: FIRST CLASS, THE AVENGERS and GUARDIANS OF THE GALAXY.

ABRAHAM LINCOLN VAMPIRE HUNTER: Benoit Pelchat – VFX Art Director –...

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Benoît Pelchat has over 12 years experience in the VFX, he has worked at Animal Logic, Industrial Light et Magic or The Orphanage. He has participated in projects such as STAR WARS EPISODE III, IRON MAN, PIRATES OF THE CARIBBEAN: AT WORLD'S END or THE SPIRIT.

END OF WATCH: Adam Avitabile – VFX Supervisor – Look Effects

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Adam Avitabile has explained to us the visual effects of Look Effects on the season finale of LOST. Then he worked on projects like LIMITLESS, FAST FIVE or THE MUPPETS.

THE UMBRELLA ACADEMY: Everett Burrell – Overall VFX Supervisor

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Everett Burrell began his career in visual effects in 1993 on BABYLON 5. He then worked on many films such as BLADE, THE LEAGUE OF EXTRAORDINARY GENTLEMEN and THE PASSION OF THE CHRIST. As a VFX Supervisor, he took care of the effects of projects like PAN'S LABYRINTH, MAX PAYNE, A GOOD DAY TO DIE HARD and ALTERED CARBON.

JACK THE GIANT SLAYER: Ara Khanikian – VFX Supervisor – Rodeo...

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Since his last visit on The Art of VFX for THE THREE MUSKETEERS, Ara Khanikian worked on films like IMMORTALS, UNDERWORLD: AWAKENING, RED TAILS or MIRROR MIRROR.

PIRATES OF THE CARIBBEAN – ON STRANGER TIDES: Simon Stanley-Clamp –...

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Simon Stanley-Clamp began his career in feature film at Mill Film with LOST IN SPACE. He remained there until 2003, he has supervised the compositing of movies such as GLADIATOR and BLACK HAWK DOWN. He joined Cinesite in 2003 and oversees movies like MOON or CLASH OF THE TITANS.