Interviews

Before joining Weta Digital in 2003, Jamie Beard worked at Framestore and MPC. At Weta, Jamie worked on THE LORD OF THE RINGS: THE RETURN OF THE KING, KING KONG, THE ADVENTURES OF TINTIN or IRON MAN 3.

Before joining Luma Pictures in 2003, Vincent Cirelli worked at Stan Winston Studios as technical director. At Luma, he oversaw movies such as NO COUNTRY FOR OLD MEN, HANCOCK, HARRY POTTER AND THE HALF-BLOOD PRINCE or WOLVERINE.

In 2015, Vincent Papaix told us about the work of Digital Domain on Lost River. He then worked on Furious 7 and Deadpool and...

Neil Weatherley joined Framestore in 2001, he began as assistant technical director and became CG supervisor in 2014 on EDGE OF TOMORROW and PADDINGTON. He worked on many projects such as CHARLIE AND THE CHOCOLATE FACTORY, CHILDREN OF MEN, THE GOLDEN COMPASS or THE DARK KNIGHT.

John Nelson supervised the visual effects of more than 20 movies such as IN THE LINE OF FIRE, THE MATRIX RELOADED, I ROBOT and IRON MAN. He won an Academy Award for Best Achievement in Visual Effects for GLADIATOR.

During his last visit, Miklos Kozary have explained the work of Elefant Studios on WE ARE THE NIGHT. He then worked on the films DER EWIGE TOURIST, HELL or EINE WEN IIG, DR Dällebach KARI.

Will Reichelt has nearly 20 years of experience in the visual effects, most of which at Animal Logic. He has worked on films like WORLD TRADE CENTER, AUSTRALIA, KNOWING and SUCKER PUNCH. As a VFX Supervisor, he took care of the effects of films such as WALKING WITH DINOSAURS 3D and MONK COMES DOWN THE MOUNTAIN. With more than 32 years of experience in animation and VFX, Rob Coleman has worked on many films such as THE MASK, DRAGONHEART, STAR WARS (EPISODES I to III), HAPPY FEET TWO and THE LEGO BATMAN MOVIE.

Having worked as digital compositor at Mikros Image on films such as THE DALTONS, LOCKED OUT or TELL NO ONE, Cédric Fayolle becomes visual effects supervisor on PRICELESS. It since supervised several films like THE FOX AND THE CHILD, TOKYO!, THE VILLAIN. In the interview which follows, he speaks to us in particular about his collaboration with the director.

In 2017, Eric Robinson told us about the work of Mr. X on RESIDENT EVIL: THE FINAL CHAPTER. He then worked on projects such as XXX: RETURN OF XANDER CAGE, HOW IT ENDS and CREED II.

Two years ago, Matt Johnson had told us about the work of Cinesite on X-MEN FIRST CLASS. To talk about WORLD WAR Z, he is accompanied with Anthony Zwartouw (CG Supervisor) and Thomas Dyg (Environment Supervisor).