Interviews

In 2017, Richard Clegg explained the work made by MPC on Blade Runner 2049. He went on to work on The Nutcracker and the...

Grady Cofer is working in VFX for over 15 years. He participated in many projects at Digiscope as an Flame artist such as VOLCANO, TITANIC or GODZILLA. He then joined ILM and worked on films like PIRATES OF THE CARIBBEAN trilogy, STAR WARS EPISODE II and III as well as STAR TREK and AVATAR.

Luc-Ewen Martin-Fenouillet began his career in visual effects over 17 years ago. He worked at Mikros Image, Method Studios and Cinesite before joining MPC...

David Sewell began his career in visual effects with INDEPENDENCE DAY. He then worked in various studios such as Cinesite, The Senate and DNEG. He has worked on many shows including WORLD WAR Z, JOHN CARTER, IN THE HEART OF THE SEA and CHERNOBYL.

Grant Walker began his career in visual effects in 2006 at The Mill. He then joined MPC in 2009 before joining Framestore in 2010.

After detailing the VFX work on The Last of Us Season 1 in 2023, Alex Wang returns to reflect on how the scope and...

In 2015, Ara Khanikian told us about Rodeo FX's work on The Last Witch Hunter. He went on to work on numerous projects such...

Scott Stokdyk starts working in visual effects more than 17 years ago. He has worked on such films as BROKEN ARROW, THE FIFTH ELEMENT, TITANIC or GODZILLA. He then worked on the SPIDER-MAN trilogy of director Sam Raimi and win an Oscar for Best Visual Effects for SPIDER-MAN 2. OZ THE GREAT AND POWERFUL is its fourth collaboration with Sam Raimi.

Seth Hill joined Atomic Fiction in 2013 as a matte painter. He has worked on films such as TRANSFORMERS: AGE OF EXTINCTION, GAME OF THRONES or THE WALK. He became Environment Supervisor on DEADPOOL.

For over 25 years, Swen Gillberg has been a key figure in the world of visual effects, working on blockbuster films like Furious 7,...