SCOTT PILGRIM VS THE WORLD: Frazer Churchill – VFX Supervisor –...

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After several years of freelance work, Frazer Churchill joined Double Negative which is one of the founders. He participated in many projects such as PITCH BLACK, BELOW or ENEMY AT THE GATES. In 2001, he became supervisor and handles the visual effects of DOOM, SAHARA or CHILDREN OF MEN.

CROUCHING TIGER, HIDDEN DRAGON: SWORD OF DESTINY: Mark Stetson – Overall...

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Mark Stetson has a long career in special and visual effects. He started working on the models of films such as BLADE RUNNER, GHOSTBUSTERS, 2010 or DIE HARD. THE FIFTH ELEMENT is his first film as Overall VFX supervisor. In 2010, he joined the teams of Zoic Studios as Senior VFX Supervisor.

KING ARTHUR – LEGEND OF THE SWORD: Christian Kaestner & Stuart...

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A few weeks ago, Christian Kaestner and Stuart Penn had explained to us the work of Framestore on ALIEN: COVENANT. They are back today to tell us about Guy Ritchie's new film, KING ARTHUR: LEGEND OF THE SWORD.

CALL OF DUTY – GHOST: Robert Sethi – Creative Director –...

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Robert Sethi worked for over 10 years in VFX. He worked at Double Negative on films such as THE CHRONICLES OF RIDDICK, BATMAN BEGINS or STRANGER THAN FICTION. He then joined The Mill and work on many projects.

Stranger Things – Season 4: Michael Maher (Production VFX Supervisor) &...

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Michael Maher has been working for over 10 years as a graphic designer and concept artist on shows like Real Steel, Argo and Cosmos:...

Scott Farrar – Senior VFX Supervisor – View Conference 2014

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Two weeks ago took place View Conference in the beautiful city of Turin in Italy. This is one of the best opportunities to meet...

DEEPWATER HORIZON: Craig Hammack – VFX Supervisor – Industrial Light &...

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In 2015, Craig Hammack told us about the work of Industrial Light & Magic on TOMORROWLAND. After BATTLESHIP, DEEPWATER HORIZON marks his second collaboration with director Peter Berg.

CHRONICLE: Raymond Chen – VFX Supervisor – Rhythm & Hues

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Raymond Chen worked over 15 years at Rhythm & Hues. It starts as lighter on films such as BABE: PIG IN THE CITY, CATS & DOGS or X2. Then he was worked on THE FAST AND THE FURIOUS: TOKYO DRIFT as VFX supervisor and then as the same position on projects like THE GOLDEN COMPASS, NIGHT AT THE MUSEUM: BATTLE OF THE SMITHSONIAN or HOP. In the following interview, Raymond talks about his work, including the aerial sequences of CHRONICLE.

Jupiter’s Legacy: Jim Mitchell – Overall VFX Supervisor

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Jim Mitchell began his career at Industrial Light & Magic on Terminator 2: Judgment Day! He went on to work on many of the...

Reminiscence: Bruce Jones – Overall VFX Supervisor

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Bruce Jones has been working in visual effects for over 25 years. He has worked on many films such as Red Planet, The Italian...