Interviews

After working on THE MATRIX at the R&D department at Animal Logic, Andrew Chapman moved to London and joined the team of Framestore where he worked on TROY and CHARLIE AND THE CHOCOLATE FACTORY then he worked at Double Negative on films such as HOT FUZZ or HELLBOY II: THE GOLDEN ARMY. He then returned in Animal Logic for SUCKER PUNCH and work at ILM for PIRATES OF THE CARIBBEAN: ON STRANGER TIDES and TRANSFORMERS: DARK OF THE MOON. He then joined Image Engine to work on ELYSIUM.

Scanline VFX delivered 158 shots across five sequences for Lisa Joy’s Reminiscence. The majority of their work centered around interior bank shots involving the hologram...

Martin Lipmann began his career in visual effects more than 10 years ago as a Flame assistant. He has worked in many studios around the world and has participated on projects such as HARRY POTTER AND THE PRISONER OF AZKABAN, 300, SNAKES ON A PLANE or MR. NOBODY.

In 2019, Martin Hill explained to us the work of Weta Digital on the final season of GAME OF THRONES. Today he talks to us with Nick Stein (Animation Supervisor), Thrain Shadbolt, Philip Leonhardt (VFX Supervisors) about their work on Netflix's tale, THE CHRISTMAS CHRONICLES 2.

Earlier this year, Glenn Melenhorst explained to us the work of Iloura on THE SPONGEBOB MOVIE: SPONGE OUT OF WATER. He now talks about his new collaboration with director Seth MacFarlane and VFX Supervisor Blair Clark for the return of TED.

In 2017, Guy Williams explained the work of Weta Digital on GUARDIANS OF THE GALAXY VOL. 2. He talks to us today about his work on GEMINI MAN.

Mike Brazelton began his visual effects career in 2000 at Asylum VFX. He then worked in various studios such as ESC Entertainment, Digital Domain and MPC before joining DNEG in 2011. He has worked on many films such as THE CURIOUS CASE OF BENJAMIN BUTTON, WATCHMEN, GODZILLA, STAR TREK BEYOND and THE MUMMY.

Bryan Hirota told us about the work of Scanline VFX on BATMAN V SUPERMAN: DAWN OF JUSTICE in 2016. He then worked on THE PROMISE and JUSTICE LEAGUE.

Arnaud Brisebois began his career in visual effects in 2003. Before joining Rodeo FX in 2014, he worked at Meteor Studios and Mokko Studio. He has worked on many projects such as 300, MIRROR MIRROR, RIDDICK or X-MEN: DAYS OF FUTURE PAST. As VFX Supervisor, he took care of the effects of WARCRAFT, GODS OF EGYPT, MISS PEREGRINE'S HOME FOR PECULIAR CHILDREN and ARRIVAL.

In 2019, Matt Glover explained the visual effects work done by Mr. X (now MPC) on the first season of Carnival Row. He then...