Interviews

In 2017, Seth Hill explained the visual effects work done by Atomic Fiction (become Method Studios and now Framestore). He went on to work...

In 2015, Glenn Melenhorst had told us about the work of Iloura on TED 2. He then worked on the TV miniseries CHILDHOOD'S END. His next project was GAME OF THRONES that he explains in detail today. And then he moved on GHOSTBUSTERS.

What is your background? Prior to working at Framestore I worked on the studio side in design, but I’ve worn a few hats over the...

Grant Walker began his career in visual effects in 2006 at The Mill. He then joined MPC in 2009 before joining Framestore in 2010.

Here is the first audio podcast on The Art of VFX. I'm happy to introduce to you Pascal Chappuis who has made this interview and will made the next ones. Thad Beier has worked for over 20 years in visual effects. In 1995, he founded Hammerhead with Rebecca Marie, Jamie Dixon and Dan Chuba. He has worked on many projects such as TITANIC, U-571, FAST AND FURIOUS or 4: RISE OF THE SILVER SURFER. In 2010, he joined the team of Digital Domain.

Back in 2013, Steve Preeg explained the work made by Digital Domain on Oblivion. He then worked on Gone Girl and Beauty and the...

Kelly Port had explained in details the work of Digital Domain on THOR in 2011. He then worked on the effects of THE WATCH. Now he talks about his work on MALEFICENT.

Jonathan Fawkner talks with us in the following interview about his work on SHERLOCK HOLMES, he has done in parallel with AVATAR. Note that Framestore received the VES AWARD for Outstanding Supporting Visual Effects in a Feature Motion Picture for SHERLOCK HOLMES.

In 2021, Dominik Zimmerle explained the work done by the Trixter teams on Shang-Chi and the Legend of the Ten Rings. Now he's back...

Zave Jackson start his career in visual effects in 2000 in the compositing. He joined Cinesite in 2006 and worked on many projects such as JOHN CARTER, SKYFALL, X-MEN: DAYS OF FUTURE PAST or THE MAN FROM U.N.C.L.E.