Interviews

In 2014, Robin Hollander explained to us about the work of Weta FX on The Hobbit: The Desolation of Smaug. He then worked on...

Jörn Großhans started his career in visual effects in 2004. He worked at Pixomondo and Mackevision before joining Image Engine in 2018. He has worked on numerous shows such as SUCKER PUNCH, HUGO, THE SHANNARA CHRONICLES and GAME OF THRONES.

Ben Murray has worked over 10 years as an Inferno / Flame artist. He then helps Prime Focus World to developed his stereo pipeline and he worked on films such as MEN IN BLACK 3, FRANKENWEENIE or NOAH.

Steve Begg began his career in special and visual effects there are more than 30 years ago in minitaures. SPECTRE is his fourth James Bond film (including 3 as VFX supervisor).

Chris LeDoux began his career in visual effects as a compositor at The Orphanage in 2004. He then worked in numerous studios such as Uncharted Territory, Cafe FX or Scanline VFX. In 2011, he founded Crafty Apes with his brother Tim LeDoux and Jason Sanford. He has taken care of the effects of many films such as AVENGERS: AGE OF ULTRON, DOCTOR STRANGE and LA LA LAND.

What is your background? Prior to working at Framestore I worked on the studio side in design, but I’ve worn a few hats over the...

Before joining ILM in 2003, Richard Bluff worked at Revolution Software and Blur. At ILM, he worked on many films such as STAR WARS: EPISODE III - REVENGE OF THE SITH, TRANSFORMERS, IRON MAN or THE AVENGERS.

In 2014, Guillaume Rocheron talked to us about the work of MPC on GODZILLA. He explains today about his work on BATMAN V SUPERMAN which is his third collaboration with director Zack Snyder and VFX Supervisor John DJ Des Jardin.

In 2016, Glenn Melenhorst explained the Iloura's work on the 6th season of GAME OF THRONES. He then worked on the 7th season and on OUTCAST and JOHN WICK: CHAPTER 2.

In 2018, Salvador Zalvidea explained the work of Cinesite on Adrift. He went on to work on Starfish, Outlander and The Bourne Stuntacular. How did...