DEADPOOL 2: Mike Brazelton – VFX Supervisor – DNEG

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Mike Brazelton began his visual effects career in 2000 at Asylum VFX. He then worked in various studios such as ESC Entertainment, Digital Domain and MPC before joining DNEG in 2011. He has worked on many films such as THE CURIOUS CASE OF BENJAMIN BUTTON, WATCHMEN, GODZILLA, STAR TREK BEYOND and THE MUMMY.

Greyhound: Nathan McGuinness (Overall VFX Supervisor) & Pete Bebb (DNEG VFX...

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Nathan McGuinness has over 20 years experience in visual effects. He founded the studio Asylum in 1999 where he has worked on films such...

THE EMPEROR OF PARIS: Aurelie Lajoux – VFX Supervisor – CGEV

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Aurelie Lajoux began her visual effects career in the early 2000s at Duboi. At CGEV and as a VFX Supervisor, she took care of the effects of many movies such as BRICE 3, WHAT HAPPENED TO MONDAY, SANTA & CIE and VERSAILLES.

JURASSIC WORLD – FALLEN KINGDOM: David Vickery (Overall VFX Supervisor), Alex...

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In 2013, David Vickery explained the work of DNEG on FAST & FURIOUS 6. He then worked on JUPITER ASCENDING and MISSION IMPOSSIBLE: ROGUE NATION. He joined Industrial Light & Magic in 2016. Last year, Alex Wuttke told us about the DNEG's work on WONDER WOMAN and then joined ILM the same year. Jance Rubinchik began his career in 2003 and worked at Electronic Arts, Tippett Studio and Weta Digital before joining ILM in 2017. He has worked on many films such as CLOVERFIELD, AVATAR, MAN OF STEEL, DAWN OF THE PLANET OF THE APES and KONG: SKULL ISLAND.

AQUAMAN: Josh Simmonds & Craig Wentworth – VFX Supervisors – Method...

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With over 25 years of experience, Josh Simmonds has worked on many films such as AUSTRALIA, DON'T BE AFRAID OF THE DARK, HAPPY FEET TWO and MAD MAX: FURY ROAD. As a VFX supervisor, he took care of the effects of films like THE BOY, UNDERWORLD: BLOOD WARS, A-X-L and THE BALLAD OF BUSTER SCRUGGS. Craig Wentworth started his career in visual effects in 1995. He has worked in many studios such as Weta Digital, Dreamworks Animation and Sony Pictures Imageworks before joining Method Studios in 2017. He has worked on many films like THE LORD OF THE RINGS: THE RETURN OF THE KING, WATCHMEN, EDGE OF TOMORROW and GUARDIANS OF THE GALAXY.

ALLIED: Mike Janov – VFX Supervisor – Atomic Fiction

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Mike Janov has been working in the visual effects for over 20 years. He has worked for many studios such as The Orphanage, Spy Post, Industrial Light & Magic and Atomic Fiction. As an Associate VFX Supervisor, he took care of the effects of SAN ANDREAS, GAME OF THRONES: SEASON 5 or DEADPOOL.

BRAVE: Claudia Chung – Simulation Supervisor – Pixar

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Claudia Chung joined Pixar in 2003 to work on FINDING NEMO. She then worked on THE INCREDIBLES, RATATOUILLE and UP. In the following interview, Claudia talks about the many challenges on BRAVE and especially the hair.

Alice in Borderland – Season 2: Doi Atsushi – Overall VFX...

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In 2021, Doi Atsushi explained the visual effects work for the Netflix series, Alice in Borderland. He is back today to tell us about...

BATTLE LOS ANGELES: Ben Shepherd – VFX Supervisor – Cinesite

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Ben Shepherd works for over 10 years in visual effects, he participated in many projects such as BIG FISH, HARRY POTTER AND THE GOBLET OF FIRE, and TIM BURTON'S CORPSE BRIDE at MPC. In 2006, he joined Cinesite teams where he oversaw films such as X-MEN: THE LAST STAND, THE DAY THE EARTH STOOD STILL or 2 episodes of the TV series THE PRISONER.

Black Adam: Sheldon Stopsack – VFX Supervisor – Weta FX

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Last year, Sheldon Stopsack explained the visual effects work of Weta FX on The Tomorrow War. Today he tells us about his new collaboration...