Interviews

In 2019, Tim Miller had explained his work on the first season of Love, Death + Robots but also on Terminator: Dark Fate. Today...

In addition to Framestore, Arslan Elver has worked in numerous studios such as Prime Focus, MPC and Industrial Light & Magic. He has worked on many films such as THE GOLDEN COMPASS, MALEFICENT, GUARDIANS OF THE GALAXY and STAR WARS: THE FORCE AWAKENS. He is back in the Marvel universe today by talking about GUARDIANS OF THE GALAXY VOL 2.

Christopher Bremble have more than 20 years of experience in the film industry. In 2003, he came to Beijing to complete post-production and visual effects on his second film DEEP RESCUE. In 2003, After its completion, he re-assembled the film's visual effects team and launched Base FX. He worked then on many project such as THE PACIFIC, LOOPER or BROADWALK EMPIRE.

After he talked about his work on TRON LEGACY, Chris Harvey then joined Image Engine and explains to us his work on BATTLESHIP.

Kirk Brillon joined Spin VFX in 2009 as a compositing artist. He works on numerous projects such as JOHN WICK, THE SHALLOWS, SUICIDE SQUAD and the series THE BORGIAS and GAME OF THRONES.

Ronald Grauer has over 10 years of experience in visual effects. He has worked in studios such as Duboi Duran, Victor or Grid VFX. Since 3 years, he worked as VFX supervisor at Benuts. In the following interview, he discusses his work on CLOCLO (MY WAY).

Margaux Durand-Rival began her career in visual effects in 2008 at Sabotage Studio in Paris and then at Digital District. She worked on various commercials and music videos. In 2011, she joined The Third Floor in London and participated in previz many films like THE AMAZING SPIDER-MAN 2, MALEFICENT or EDGE OF TOMORROW.

In 2013, Martyn Culpitt explained the work of Image Engine on WHITE HOUSE DOWN. He then worked on many films such as THE WOLVERINE, JURASSIC WORLD, FANTASTIC BEASTS AND WHERE TO FIND THEM, LOGAN and THE MEG.

In 2011, Justin Ball explained the work of Brainstorm Digital on BOARDWALK EMPIRE. He then worked on projects such as THE ADJUSTMENT OFFICE, TRUE DETECTIVE, AMERICAN HORROR STORY and AMERICAN MADE.

Matt Sloan began his career in visual effects in the early 2000s. He has worked on many projects such as DISTRICT 9, AVATAR, THE MARTIAN and MAZE RUNNER: THE DEATH CURE.