Interviews

Damien Thaller has over 20 years of experience in visual effects. He has worked in many studios like ILM, Rising Sun Pictures, Image Engine...

Chris Wells began his career in visual effects since 17 years ago. He has worked on projects such as THE DAY AFTER TOMORROW, 300, 4: RISE OF THE SILVER SURFER or ALIENS VS. PREDATOR: REQUIEM. He then became VFX supervisor and took care of movies like 2012, THE A-TEAM or LOOPER.

Daniele Bigi began his career in the visual effects in the early 2000s and worked in many studios such as Framestore and MPC before joining ILM in 2015. He worked on many films like PROMETHEUS, GUARDIANS OF THE GALAXY, DOCTOR STRANGE and READY PLAYER ONE. Steve Aplin started working at ILM in 1997 and then worked at DNEG in 2009 before returning to ILM in 2016. He worked on films like STAR WARS: EPISODE III - REVENGE OF THE SITH, TRANSFORMERS: REVENGE OF THE FALLEN, CAPTAIN AMERICA : CIVIL WAR and A QUIET PLACE.

Arno Fouquet and Christian Guillon from L'E.S.T. were responsible for general visual effects supervision on OCEANS, the new documentary feature by Jacques Perrin. The visual effects were dispatched between BUF, Mikros Image and Def2Shoot. In the following interview, Arno Fouquet talks about L'E.S.T. and his work on OCEANS.

Back in 2018, Sue Rowe explained the work done by Scanline VFX on The Meg. She went on to work on A Series of...

In 2018, Tim Burke explained to us about the visual effects work on Fantastic Beasts: The Crimes of Grindelwald. He returns today to tell...

Tom Turnbull has over 30 years experience in visual effects. He co-founded the studio Rocket Science VFX with Anthony Paterson in 2003. He has...

Matthew Rouleau began his career in the visual effects in 2003. He worked at Buzz Image Group, The Embassy and joined the team of Rodeo FX in 2010. He has worked on films such as THE FOUNTAIN, DISTRICT 9, IRON MAN 2 and PACIFIC RIM.