DOWNSIZING: James E. Price – Overall VFX Supervisor
James E. Price is working in the visual effects for more than 27 years. As a VFX supervisor, he took care of the effects of many films such as AUSTRALIA, THE A-TEAM, PACIFIC RIM and ROBOCOP.
GODZILLA: Ferran Domenech – Animation Supervisor – MPC
Ferran Domenech is in the VFX industry for over 14 years. In 2003, he joined MPC and he is still there. He has worked on several HARRY POTTER movies and supervised the animation for films such as PROMETHEUS, TOTAL RECALL, JACK THE GIANT SLAYER or THE LONE RANGER.
CALL OF DUTY – GHOST: Robert Sethi – Creative Director –...
Robert Sethi worked for over 10 years in VFX. He worked at Double Negative on films such as THE CHRONICLES OF RIDDICK, BATMAN BEGINS or STRANGER THAN FICTION. He then joined The Mill and work on many projects.
GREEN ZONE: Charlie Noble – VFX Supervisor – Double Negative
Charlie Noble works in visual effects for over 15 years. He joined Double Negative at its beginnings in working on PITCH BLACK. He will participate by result in numerous projects from studios like ENEMY AT THE GATES, FLYBOYS or THE DARK KNIGHT. He has also supervised THE BOURNE ULTIMATUM directed by Paul Greengrass, that he meet again on GREEN ZONE.
The Bubble: Russell Earl – Production VFX Supervisor – ILM
Back in 2019, Russell Earl explained the ILM work made on Avengers: Endgame. He then worked on Space Jam: A New Legacy and Free...
WARCRAFT: Jeff White – VFX Supervisor – Industrial Light & Magic
Jeff White explained to us about the work of ILM in 2012 on THE AVENGERS. Then he worked on TRANSFORMERS: AGE OF EXTINCTION. He explains in detail today his work on WARCRAFT.
THE FATE OF THE FURIOUS: Philippe Soeiro – VFX Supervisor –...
Before joining Rodeo FX in 2015, Philippe Soeiro was at Eclair Numerique where he worked on numerous projects such as THE PIANIST, ALEXANDER, THE TRANSPORTER or THE NINTH GATE. Then he joined Autodesk to work as Lead Product Designer for Flame / Smoke. At Rodeo FX, he worked on CENTRAL INTELLIGENCE and THE SPACE BETWEEN US.
AN AMERICAN PICKLE: Adam Rowland – Overall VFX Supervisor
In 2013, Adam Rowland explained the work of NVIZ on CAPTAIN PHILLIPS to us. He then worked on various films such as LEGEND, LIFE, THE COMMUTER and JURASSIC WORLD: FALLEN KINGDOM.
GAME OF THRONES – Season 8: Mohsen Mousavi – VFX Supervisor...
In the past year, Mohsen Mousavi explained the work of Scanline VFX on THE MEG. He is back today to tell us about his work on the final season of GAME OF THRONES.
DEADPOOL: Jonathan Rothbart – Production VFX Supervisor
Jonathan Rothbart began his career in VFX at Industrial Light & Magic in 1995. He worked on films like DRAGONHEART, MEN IN BLACK or STAR WARS: EPISODE I - THE PHANTOM MENACE. In 2000, he created the studio The Orphanage with Scott Stewart and Stu Maschwitz. He will oversee the effects of many films like HERO, HELLBOY, SIN CITY or IRON MAN. In 2010, The Orphanage is closed and Jonathan becomes production side VFX Supervisor and take care of the effects of LEGION, PRIEST and AFTER EARTH.