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THE HOMESMAN: Félix Bergés – VFX Supervisor – El Ranchito

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Félix Bergés is in visual effects industry for nearly 30 years. He worked on very many projects and oversaw the effects of films such as THE OTHERS, AGORA, THE IMPOSSIBLE or THE END.

X-MEN – DAYS OF FUTURE PAST: Lou Pecora – VFX Supervisor...

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Lou Pecora began his career in the VFX more than 17 years ago. He joined Digital Domain in 2000. He worked on projects such as I, ROBOT, PIRATES OF THE CARIBBEAN: AT WORLD'S END, TRANSFORMERS: REVENGE OF THE FALLEN or IRON MAN 3.

Interviews of the Week #18

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CAPTAIN AMERICA - THE WINTER SOLDIER: Bryan Grill - VFX Supervisor - Scanline VFX Last year, Bryan Grill explained to us in details the work...

NOAH: Philippe Rebours – Associate VFX Supervisor – Industrial Light &...

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Philippe Rebours began his career in visual effects at BUF on THE CITY OF LOST CHILDREN. He then joined Industrial Light & Magic in...

47 RONIN: Christian Manz – VFX Supervisor – Framestore

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Christian Manz began his career in visual effects at Framestore in 1997 as a runner. He then made his way in the Compositing Department. He oversaw the effects of projects such as SPOOKS, PRIMEVAL, NANNY MCPHEE AND THE BIG BANG or HARRY POTTER AND THE DEATHLY HALLOWS: PART 1.

NON-STOP: Randy Goux – VFX Supervisor – Prime Focus World

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Randy Goux is in visual effects for over 16 years. He has worked in many studios around the world and has worked on various projects such as X-MEN, CONSTANTINE, PATHFINDER or RED.

INDUSTRIAL LIGHT & MAGIC: London and Vancouver expansion plans

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David S. Cohen have published a really interesting article about the expansion plans of Industrial Light & Magic for London and Vancouver. In Vancouver, the...

JACK RYAN – SHADOW RECRUIT: Rudi Holzapfel – VFX Supervisor –...

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After having explained the work of Baseblack on DREDD and TOTAL RECALL, Rudi Holzapfel worked on TRAP FOR CINDERELLA and TV serie AMBASSADORS. He is back to talk about the new episode of JACK RYAN.

THE SECRET LIFE OF WALTER MITTY: Everett Burrell – Senior VFX...

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Everett Burrell began his career in visual effects more than 20 years ago. He has worked on numerous projects such as SIN CITY, HELLBOY or PAN'S LABYRINTH. As independent VFX supervisor, he was took care of films like MAX PAYNE, BATTLE: LOS ANGELES, WARM BODIES or A GOOD DAY TO DIE HARD. In 2013, he joined Look Effects as Senior VFX Supervisor.

Industrial Light & Magic opens in London

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It's now official, Industrial Light & Magic is opening a facility in London! It will be located close to Soho and will have a...