Tag: VFX Supervisor

In 2013, Sara Bennett explained the work of Milk Visual Effects on THE MISERABLES. She then worked on many films such as DRACULA UNTOLD, THE MARTIAN, FANTASTIC BEASTS AND WHERE TO FIND THEM, ASSASSIN'S CREED and ANNIHILATION. In 2016, she won the Oscar for Best Visual Effects for EX MACHINA.

James D. Fleming started his career at Framestore and has since worked on many films such as GRAVITY, AVATAR, THE GOLDEN COMPASS, and JOHN CARTER. As a VFX Supervisor, he took care of effects for movies like MALEFICENT, THE MARTIAN, GUARDIANS OF THE GALAXY and KING ARTHUR: LEGEND OF THE SWORD. Chris Lunney joined Nvizible in 2014. He has worked on many productions such as EDGE OF TOMORROW, JASON BOURNE, FANTASTIC BEASTS AND WHERE TO FIND THEM and THE COMMUTER.

Earlier this year, Salvador Zalvidea explained the work of Cinesite on MUTE. He talks to us today about his work on ADRIFT.

Pietro Ponti started his career in visual effects in 2004. He has worked on many films like 10'000 BC, THE DARK KNIGHT, TERMINATOR GENISYS...

In 2013, David Vickery explained the work of DNEG on FAST & FURIOUS 6. He then worked on JUPITER ASCENDING and MISSION IMPOSSIBLE: ROGUE NATION. He joined Industrial Light & Magic in 2016. Last year, Alex Wuttke told us about the DNEG's work on WONDER WOMAN and then joined ILM the same year. Jance Rubinchik began his career in 2003 and worked at Electronic Arts, Tippett Studio and Weta Digital before joining ILM in 2017. He has worked on many films such as CLOVERFIELD, AVATAR, MAN OF STEEL, DAWN OF THE PLANET OF THE APES and KONG: SKULL ISLAND.

In 2017, Joseph Kasparian had explained to us the work of Hybride on ROGUE ONE: A STAR WARS STORY. He then worked on ASSASSIN'S CREED, VALERIAN AND THE CITY OF A THOUSAND PLANETS, MOTHER! and STAR WARS: THE LAST JEDI. François Lambert began his career in the visual effects in 1994 at Hybride. He joined Industrial Light & Magic in 2003 and then returned to Hybride in 2017. He worked on many films such as STAR WARS: EPISODE III - REVENGE OF THE SITH, PIRATES OF THE CARIBBEAN: DEAD MAN'S CHEST, STAR TREK, PACIFIC RIM and STAR WARS: THE LAST JEDI.

Dan Macarin worked at Animal Logic and Rhythm & Hues before joining Weta Digital in 2008. He has worked on many films such as HAPPY FEET, THE GOLDEN COMPASS, AVATAR, DAWN OF THE PLANET OF THE APES, THE BFG and MAZE RUNNER: THE DEATH CURE.

Rob Bredow has worked in visual effects for almost 25 years. He worked at Sony Pictures Imageworks for 15 years before joining Lucasfilm in 2014 and then became SVP, Executive Creative Director and Head of ILM in 2018. He worked on many films such as STUART LITTLE, CAST AWAY, THE POLAR EXPRESS and MEN IN BLACK 3. Patrick Tubach began his career in visual effects in 1996 at Cinesite. He then joined Industrial Light & Magic in 1999. He worked on many films such as ARMAGEDDON, JURASSIC PARK III, the first three films PIRATES OF THE CARIBBEAN and TRANSFORMERS. As a VFX supervisor, he took care of the effects of films like STAR TREK: INTO DARKNESS, TRANSFORMERS: AGE OF EXTINCTION and STAR WARS: THE FORCE AWAKENS. Matt Shumway worked for 10 years at Rhythm & Hues before joining ILM in 2013. He has worked on films such as THE GOLDEN COMPASS, LIFE OF PI, THE REVENANT and STAR WARS: THE LAST JEDI.

Sean Konrad began his career in visual effects in 2000. He worked in several studios like Prime Focus, Zoic Studios and MPC before joining Method Studios in 2016. He worked on films such as TRON: LEGACY, GODZILLA, GUARDIANS OF THE GALAXY and JUSTICE LEAGUE. John Likens began his career in motion design 10 years ago. He works in many agencies like Perception NYC, The Mill and Blind before joining Method Studios in 2014.

Mike Brazelton began his visual effects career in 2000 at Asylum VFX. He then worked in various studios such as ESC Entertainment, Digital Domain and MPC before joining DNEG in 2011. He has worked on many films such as THE CURIOUS CASE OF BENJAMIN BUTTON, WATCHMEN, GODZILLA, STAR TREK BEYOND and THE MUMMY.