BLEACH: Doi Atsushi – VFX Supervisor – Digital Frontier
Doi Atsushi began his career in the visual effects in 1997 at Digital Frontier. He has worked on many films such as DEATH NOTE, GANTZ, I AM A HERO and INUYASHIKI.
JURASSIC WORLD – FALLEN KINGDOM: José Manuel Weil – VFX ...
José Manuel Weil started his career in visual effects in 2007 at Scanline VFX. He worked on 2012, THE AVENGERS, CLOUD ATLAS and SNOWPIERCER. As a VFX supervisor, he took care of the effects of ...
HIDDEN MAN: Yifu Zhou – VFX Supervisor, VP and Head ...
Yifu Zhou joined Digital Domain in 2013. He has worked on many commercials and also on MALEFICENT. He serves as Visual Effects Supervisor & VP and Head of Studio for Digital Domain Beijing.
AVENGERS – INFINITY WAR: Russell Earl – VFX Supervisor – ...
In 2016, Russell Earl explained the work of ILM on CAPTAIN AMERICA: CIVIL WAR. He then worked on VIRAL and THE CLOVERFIELD PARADOX. Today, he returns to the MCU with AVENGERS: INFINITY WAR.
THE MEG: Adrian de Wet – Overall VFX Supervisor – ...
In 2010, Adrian de Wet explained the work of DNEG on THE SORCERER'S APPRENTICE. He then worked on THE TREE OF LIFE, TOTAL RECALL, THE HUNGER GAMES: CATCHING FIRE, THE HUNGER GAMES: MOCKINGJAY - PART ...
THE MEG: Mohsen Mousavi – VFX Supervisor – Scanline VFX
Mohsen Mousavi began his visual effects career more than 13 years ago. He worked at Pixomondo from 2005 to 2012 on films such as NINJA ASSASSIN, 2012, HUGO and RED TAILS. He then joins Scanline ...
THE MEG: Sue Rowe – VFX Supervisor – Sony Pictures ...
In 2014, Sue Rowe explained the work of Method Studios on THE MAZE RUNNER. She then joins MPC and works on INDEPENDENCE DAY: RESURGENCE and LEGEND OF TARZAN. In 2016, she joined Sony Pictures Imageworks ...
MISSION: IMPOSSIBLE – FALLOUT: Huw Evans – VFX Supervisor – ...
In 2017, Huw Evans explained the work of DNEG on LIFE. He then worked on the new episode of MISSION: IMPOSSIBLE.
ANT-MAN AND THE WASP: Stephane Paris – VFX Supervisor – ...
At the beginning of the year, Stephane Paris explained the work of Cinesite on THE COMMUTER. He then returns to the Marvel Cinematic Universe for ANT-MAN AND THE WASP.
SKYSCRAPER: Jason Billington – VFX Supervisor – Method Studios
At the beginning of this year, Jason Billington had explained to us the work of Method Studios on BRIGHT. He talks to us today about his work on SKYSCRAPER.