The Sea Beast - résultats de la recherche

Gary Brozenich is a CG artist for over 25 years, he joined MPC while the studio only had a dozen artists. After working on numerous commercials, he joined the film division since its creation and will be in charge of CG on TROY and KINGDOM OF HEAVEN. He will be then VFX supervisor for films like THE DA VINCI CODE, THE WOLFMAN or CLASH OF THE TITANS. It is therefore natural that he talks about his work on the CLASH sequel: WRATH OF THE TITANS.

What a big news! After Scanline VFX, Netflix has decided to acquire a new studio with Animal Logic! Here is the press release: Netflix and Animal...

David Simpson embarked on his journey in the realm of visual effects at Framestore back in 2008. Since then, he worked on Gravity, Fantastic...

Marcus Taormina, who previously discussed the visual effects of Army of the Dead in 2021, now shares his insights into his latest collaboration with...

Janelle Croshaw Ralla has over 20 years experience in visual effects. Her filmography includes many films such as Captain Marvel, Black Widow, She-Hulk: Attorney...

Joanna Davison started her career in visual effects in 2005 at Framestore. She joined the Weta FX team in 2011. She has worked on...

In 2019, Guillaume Rocheron had explained the work of visual effects on Godzilla: King of the Monsters. He then worked on Ad Astra and...

Kevin Lingenfelser has been working in visual effects for almost 30 years. He has worked in many studios such as Cinesite, Digital Domain, FuriousFX...

Back in 2013, Steve Preeg explained the work made by Digital Domain on Oblivion. He then worked on Gone Girl and Beauty and the...

In 2016, Arnaud Brisebois talked about the work of Rodeo FX on Fantastic Beasts and Where to Find Them. He then worked on many...