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Last Night in Soho: Tom Proctor – Overall VFX Supervisor –...

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Back in 2018, Tom Proctor explained the work made by DNEG on Fantastic Beasts: The Crimes of Grindelwald. Then he went on to work...

Foundation: Nicolas Hernandez – VFX Supervisor – Important Looking Pirates

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Back in 2014, Nicolas Hernandez explained the work of Milk VFX on Hercules. Then he went to work on movies such as Ex Machina,...

No Time To Die: Charlie Noble (Overall VFX Supervisor) with Jonathan...

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In 2011, Charlie Noble explained the work done by DNEG on Captain America: The First Avenger. He then worked on several films such as...

Godzilla vs Kong: Bryan Hirota (VFX Supervisor) with Chris Mulcaster (CG...

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Earlier this month, Bryan Hirota explained in detail the work done by Scanline VFX on Zack Snyder's Justice League. He's back to tell us...

Greyhound: Nathan McGuinness (Overall VFX Supervisor) & Pete Bebb (DNEG VFX...

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Nathan McGuinness has over 20 years experience in visual effects. He founded the studio Asylum in 1999 where he has worked on films such...

REBECCA: Murray Barber – VFX Supervisor & Co-founder – Milk Visual...

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In 2013, Murray Barber told us about the work of Milk Visual Effects on DOCTOR WHO. He then worked on many shows such as EVEREST, HIGH RISE, FANTASTIC BEASTS: THE CRIMES OF GRINDELWALD and ORIGIN.

RAISED BY WOLVES: Boris Schmidt (VFX Supervisor) with Max Riess, Moritz...

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In 2012, Boris Schmidt explained the work of Pixomondo on THE AMAZING SPIDER-MAN. He then worked on many shows such as FURIOUS 7, POWER RANGERS, THE OA and FOR ALL MANKIND. He talks today about his work on RAISED BY WOLVES with VFX Supervisors Max Riess, Moritz Bock and Julian Lojek.

CURSED: Ciaran Crowley – VFX Supervisor – Milk Visual Effects

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Ciaran Crowley began his career in the visual effects more than 20 years ago at DNEG. He joined Milk Visual Effects in 2018. His filmography includes many films such as THE DARK KNIGHT, INCEPTION, THE ASH LAD: IN THE HALL OF THE MOUNTAIN KING, THE PROFESSOR AND THE MADMAN.

CURSED: David Sewell – VFX Supervisor – DNEG

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David Sewell began his career in visual effects with INDEPENDENCE DAY. He then worked in various studios such as Cinesite, The Senate and DNEG. He has worked on many shows including WORLD WAR Z, JOHN CARTER, IN THE HEART OF THE SEA and CHERNOBYL.

MIDWAY: Laurent Taillefer – VFX Supervisor – Scanline VFX

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In 2014, Laurent Taillefer explained the work of Mokko Studio on BEAUTY AND THE BEAST. He then works at Atomic Fiction (now Method Studios), Mr. X and joins Scanline VFX in 2018. He works on many films like DEADPOOL, STRANGER THINGS, PACIFIC RIM: UPRISING and AD ASTRA.