American Made - résultats de la recherche

Chris Godfrey has been working in visual effects for over 30 years. He co-founded Animal Logic with Zareh Nalbandian in 1991. He supervised the effects of many films such as BABE: PIG IN THE CITY, MOULIN ROUGE!, AUSTRALIA and THE GREAT GATSBY.

After explaining to us about the work of Method Studios on THE GIVER in 2014, Mark Breakspear joined Sony Pictures Imageworks. He handled the visual effects of AMERICAN SNIPER and then SUICIDE SQUAD.

In 2014, Dan Schrecker had explained to us about his work on NOAH. He then joined Psyop and took care of the visual effects of films like AMERICAN ULTRA, EQUALS or JOY.

Brand new and long trailer for FANTASTIC FOUR with tons of VFX shots: The VFX are made by: MPC (VFX Supervisors : Patrick Ledda and...

Félix Bergés is in visual effects industry for nearly 30 years. He worked on very many projects and oversaw the effects of films such as THE OTHERS, AGORA, THE IMPOSSIBLE or THE END.

For the 4th years of The Art of VFX, I decided to offer you new content and mostly editorial contents. This first article "Look back on 2013 and the expectations for 2014" is the first step. I hope you will find it interesting.

Everett Burrell began his career in visual effects more than 20 years ago. He has worked on numerous projects such as SIN CITY, HELLBOY or PAN'S LABYRINTH. As independent VFX supervisor, he was took care of films like MAX PAYNE, BATTLE: LOS ANGELES, WARM BODIES or A GOOD DAY TO DIE HARD. In 2013, he joined Look Effects as Senior VFX Supervisor.

In 2012, Cédric Fayolle had detailed to us the work of Mikros Image on RUST & BONE. Then he oversaw the effects of films like FOXFIRE, MAIS QUI A RE-TUÉ PAMELA ROSE? and THE PAST. 9 MONTH STRETCH is his second collaboration with director Albert Dupontel.

In 2011, Laurens Ehrmann explained to us the work of Plug Effects on X-MEN FIRST CLASS. He then supervised the effects of films such as LIVIED, LES VACANCES DE DUCOBU or PARIS A TOUT PRIX. He also worked as on-set VFX supervisor for the Paris filming of NOW YOU SEE ME.

After working on THE MATRIX at the R&D department at Animal Logic, Andrew Chapman moved to London and joined the team of Framestore where he worked on TROY and CHARLIE AND THE CHOCOLATE FACTORY then he worked at Double Negative on films such as HOT FUZZ or HELLBOY II: THE GOLDEN ARMY. He then returned in Animal Logic for SUCKER PUNCH and work at ILM for PIRATES OF THE CARIBBEAN: ON STRANGER TIDES and TRANSFORMERS: DARK OF THE MOON. He then joined Image Engine to work on ELYSIUM.