The Batman - résultats de la recherche

GODZILLA: Jim Rygiel – Production VFX Supervisor Jim Rygiel began his career in VFX in 1980 at Pacific Electric Pictures. Then he joined Boss...

Robert Sethi worked for over 10 years in VFX. He worked at Double Negative on films such as THE CHRONICLES OF RIDDICK, BATMAN BEGINS or STRANGER THAN FICTION. He then joined The Mill and work on many projects.

Anton Yri began working in the VFX on BATMAN BEGINS at The Senate VFX in 2005. It has since remained in the studio and has participated in numerous films like THE DA VINCI CODE, HELLBOY II: THE GOLDEN ARMY or KICK ASS and also on TV shows like ROME, FLASH FORWARD or LUTHER.

Richard Higham worked at The Senate for many years. He has participated in projects like BATMAN BEGINS, THE DA VINCI CODE or STARDUST. As VFX supervisor, he take care of the effects for films like KICK-ASS, PRIEST or DARK SHADOWS.

Martin Hill began his career in VFX at Double Negative, where he worked on films like BELOW, THE CHRONICLES OF RIDDICK or BATMAN BEGINS. He then joined Weta Digital for KING KONG. He worked on many projects like ERAGON, AVATAR, RISE OF THE PLANET OF THE APES or THE ADVENTURES OF TINTIN.

After working several years at IMAX on projects such as BATMAN BEGINS, V FOR VENDETTA or 300, Eric Robinson joined the team of Mr. X in 2010. He will participate in such films as RESIDENT EVIL: AFTERLIFE and HANNA. In the following interview, he talks about his work on THE THREE MUSKETEERS.

David Vickery is working at Double Negative for nearly 10 years. He has participated in projects such as CHILDREN OF MEN, THE DARK KNIGHT or CLOVERFIELD. He oversaw films such as SHERLOCK HOLMES and HARRY POTTER AND THE DEATHLY HALLOWS PART 1.

After working many years at BUF on projects such as ALEXANDER, MATRIX 3, HARRY POTTER 4, BATMAN BEGINS, or THE PRESTIGE, Nicolas Bonnell and Laurens Ehrmann founded in 2007 the VFX studio Plug Effects. They have since worked on films like THE DIVIDE and TWILIGHT ECLIPSE.

Working since 1995 at BUF Company, Geoffrey Niquet has participated in projects such as BATMAN & ROBIN, FIGHT CLUB or THE CELL. It becomes VFX supervisor in 2004 on ATOMIK CIRCUS and has since overseen the effects of films such as SPEED RACER or THE EXTRAORDINARY ADVENTURES OF ADELE BLANC-SEC.

Guillaume Rocheron begins his career at BUF in 2000. Having worked on films such as PANIC ROOM, ALEXANDER and BATMAN BEGINS, he left to join the teams of MPC in London. He worked on SUNSHINE, 10'000 BC or HARRY POTTER AND THE HALF BLOOD . In 2009, he moved to MPC Vancouver to work on PERCY JACKSON.