mile 22 - résultats de la recherche

Back in 2017, Paul Lambert explained the work of DNEG on Blade Runner 2049. He then worked on First Man. Today he talks to...

In 2019, Chris MacLean had explained to us the visual effects work done by Mr. X on The Highwaymen. He then worked on Hellboy...

In 2019, Marcus Taormina told us about his work on Bird Box. He then took care of the visual effects for The Tax Collector....

To kick off 2019, Bryan Hirota had explained in detail the work of Scanline VFX on Aquaman. He then worked on Gemini Man. Today...

The Visual Effects Society has announced yesterday the nominations for the 19th Annual VES Awards! Congratulations and good luck to everyone! Outstanding Visual Effects in...

Last year, Matt Kasmir explained to us in detail his work on the George Clooney's series, Catch-22. He is back today to tell us...

Dan Charbit started his career in visual effects more than 20 years ago in France and has worked in many Parisian studios such as Mac Guff Ligne. In 2013, he moved to Montreal and worked for Rodeo FX, FOLKS and MPC before joining DNEG in 2018. As a VFX Supervisor, he took care of the effects for shows like SHADOWHUNTERS, CATCH-22 and ALTERED CARBON - Season 2. Barry Corcoran has been working in visual effects and motion graphics for over 10 years. He worked at Rushes and joined DNEG in 2018. He has worked on projects such as SPECTRE, DEADPOOL 2, VENOM and HOBBS & SHAW.

Robert Winter began his career in visual effects in 1997 at Sony Pictures Imageworks. He has worked on films such as STARSHIP TROOPERS, HOLLOW MAN, HANCOCK and ALICE IN WONDERLAND. He then joined MPC in 2014 and took care of effects for films such as SUICIDE SQUAD and GODZILLA: KING OF THE MONSTERS. In 2018, he joins Framestore and works on LADY AND THE TRAMP. In 2017, Arslan Elver told us about the work of Framestore on GUARDIANS OF THE GALAXY VOL. 2 and then worked on CHRISTOPHER ROBIN.

At the end of last year, Jeff White explained ILM's work on AQUAMAN. David Seager began his career in visual effects in the late 1990s. He worked in many studios such as Sony Pictures Imageworks, MPC and joined ILM in 2017. He has taken care of the effects for many films such as WATCHMEN, MALEFICENT, FURIOUS SEVEN and ALADDIN. In 2017, Alex Wang explained DNEG's work on THE FATE OF THE FURIOUS. He joins ILM in 2017 and works on JURASSIC WORLD: FALLEN KINGDOM. Scott Benza is working at ILM for 22 years. He has worked on films such as TRANSFORMERS, THE AVENGERS, KONG: SKULL ISLAND, BUMBLEBEE.

Everett Burrell began his career in visual effects in 1993 on BABYLON 5. He then worked on many films such as BLADE, THE LEAGUE OF EXTRAORDINARY GENTLEMEN and THE PASSION OF THE CHRIST. As a VFX Supervisor, he took care of the effects of projects like PAN'S LABYRINTH, MAX PAYNE, A GOOD DAY TO DIE HARD and ALTERED CARBON.