mile 22 - résultats de la recherche

In 2011, Danielle Plantec had detailed to us the work of Scanline VFX on IMMORTALS. She then worked on films such as IRON MAN 3 MAN OF STEEL or THE WOLF OF WALL STREET. In 2012, Byan Hirota talked about his work on SNOW WHITE AND THE HUNTSMAN at Pixomondo. He has moved then to Scanline VFX. Today, they explain in detail their work on the sequel of 300.

Guillaume Rocheron is back for the last interview in 2012 on The Art of VFX! After he has talked about the giants samurais created by MPC for SUCKER PUNCH, it attacks with LIFE OF PI to the creation of unbridled elements in the open ocean.

Dmitry Tokoyakov began his career as a compositor and rose through the ranks to become VFX Supervisor. He worked many years at Bazelevs and oversaw the effects of movies like WANTED or APOLLO 18. In the following interview, Dmitry talks about his work on THE DARKEST HOUR.

After telling us about his work on GREEN ZONE, Charlie Noble returns to the Art of VFX with his team of Double Negative to explain in detail his work on CAPTAIN AMERICA.

Danny Yount, Creative Director at Prologue Films, accompanied by Daniel Klohn and Miles Laurisden talks about their work on TRON LEGACY. Prologue is a studio specializing in the design of film credits and motion design. They worked on films such as IRON MAN 2, THE LOSERS or SHERLOCK HOLMES and TV show like THE WALKING DEAD.

Wes Caefer is a self-taught artist. He oversaw several projects at Worldwide FX. THE EXPENDABLES is the second collaboration between Wes and Sylvester Stallone with RAMBO.

Sue Rowe is one of the few female VFX supervisors in the business. She works at Cinesite for over 10 years and oversaw movies such as TROY, CHARLIE AND THE CHOCOLATE FACTORY, X-MEN 3 or THE GOLDEN COMPASS. She just finished the visual effects of PRINCE OF PERSIA.

Danny Yount started as an self-taught designer and creates film credits in Prologue Films for projects such as IRON MAN or ROCKnROLLA. In the following interview, he talks about his work on IRON MAN 2.

Charlie Noble works in visual effects for over 15 years. He joined Double Negative at its beginnings in working on PITCH BLACK. He will participate by result in numerous projects from studios like ENEMY AT THE GATES, FLYBOYS or THE DARK KNIGHT. He has also supervised THE BOURNE ULTIMATUM directed by Paul Greengrass, that he meet again on GREEN ZONE.