mile 22 - résultats de la recherche

Axel Bonami began his career in the VFX in Paris in 2001 at Duran to work on THE NEST and IMMORTAL (AD VITAM). In 2006, he joined Duboi to work on L'AUBERE ROUGE and ASTERIX AT THE OLYMPIC GAMES. In 2008, he joined MPC and worked on numerous projects such as ROBIN HOOD, DARK SHADOWS, GODZILLA and X-MEN: APOCALYPSE.

At the end of last year, Sean Devereaux, had explained to us the work of Zero VFX on THE MAGNIFICENT SEVEN. He talks to us today about his work on the invisible effects of PATRIOTS DAY.

Imaging the Future have just released their program! Let's focus on the VFX part of it: // TOOLS UNLIMITED An overview of digital creative tools packages presented...

In 2014, Guillaume Rocheron talked to us about the work of MPC on GODZILLA. He explains today about his work on BATMAN V SUPERMAN which is his third collaboration with director Zack Snyder and VFX Supervisor John DJ Des Jardin.

In 2012, Ryan Tudhope explained to us in detail about the work of Atomic Fiction on LOOPER. He then take care of the visual effects of projects such as FLIGHT, THE LONE RANGER or GAME OF THRONES.

Mark Curtis started his career in the visual effects in 2001 at MPC. He worked on many projects and then joined MPC Vancouver in 2009. He has worked on films like WATCHMEN, LIFE OF PI or GUARDIANS OF THE GALAXY. As VFX Supervisor, he took care of the effects of films like FIFTY SHADES OF GREY and FURIOUS 7.

Since his last visit here for CLOUD ATLAS, Florian Gellinger take care of the visual effects for Rise FX of films such as IRON MAN 3, THE BOOK THIEF, GUARDIANS OF THE GALAXY or AVENGERS: AGE OF ULTRON.

Kevin Smith began his career in the visual effects in 1993 at Boss Film. A few years later he joined Weta Digital to work on the LORD OF THE RINGS trilogy. He worked on many projects such as AVATAR, RISE OF THE PLANET OF THE APES, THE ADVENTURES OF TINTIN and THE HOBBIT trilogy.

Earlier this year, Glenn Melenhorst explained to us the work of Iloura on THE SPONGEBOB MOVIE: SPONGE OUT OF WATER. He now talks about his new collaboration with director Seth MacFarlane and VFX Supervisor Blair Clark for the return of TED.

Daniel Kramer began his career in visual effects there are more than 22 years. He worked at VisionArt on films like INDEPENDENCE DAY or GODZILLA. He joined Sony Pictures Imageworks in 2000 to work on SPIDER-MAN. He worked also on many projects such as THE POLAR EXPRESS, WATCHMEN or HOTEL TRANSYLVANIA.