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In 2013, Ben Morris explained to us about the work of Framestore on LINCOLN, he then worked on GRAVITY. Then he joins Industrial Light & Magic. STAR WARS - THE LAST JEDI is his second film STAR WARS after THE FORCE AWAKENS.
Last year, François Dumoulin explained to us about the work of Rodeo FX on THE LEGEND OF TARZAN. He speaks to us today about his new collaboration with Luc Besson and the challenges encountered on VALERIAN.
Ryan Cook has been working in visual effects for over 24 years. He started his career at ILM and then worked at DNEG before...
In 2019, Chris MacLean had explained to us the visual effects work done by Mr. X on The Highwaymen. He then worked on Hellboy...
In 2014, Simon Stanley-Clamp had explained to us the work of Cinesite on HERCULES. He then worked on many films such as ANT-MAN, THE REVENANT, CAPTAIN AMERICA: CIVIL WAR and ROBIN HOOD.
With over 25 years of experience, Josh Simmonds has worked on many films such as AUSTRALIA, DON'T BE AFRAID OF THE DARK, HAPPY FEET TWO and MAD MAX: FURY ROAD. As a VFX supervisor, he took care of the effects of films like THE BOY, UNDERWORLD: BLOOD WARS, A-X-L and THE BALLAD OF BUSTER SCRUGGS. Craig Wentworth started his career in visual effects in 1995. He has worked in many studios such as Weta Digital, Dreamworks Animation and Sony Pictures Imageworks before joining Method Studios in 2017. He has worked on many films like THE LORD OF THE RINGS: THE RETURN OF THE KING, WATCHMEN, EDGE OF TOMORROW and GUARDIANS OF THE GALAXY.
After KNOWING, GODS OF EGYPT marks the second collaboration between Eric Durst and director Alex Proyas. Before that he had supervised the visual effects of a large number of movies such as BATMAN FOREVER BATMAN & ROBIN, SPIDER-MAN 2 or SNOWPIERCER.
Aymeric Perceval began his career in visual effects in 2010 at Cinesite. He has also worked with Union VFX, Image Engine and Pixomondo. At Cinesite, he has been compositing supervisor on films including EDGE OF TOMORROW, ROBOCOP and HERCULES. MAGGIE is his first project as VFX Supervisor.
Christian Manz had explained to us in detail the work of Framestore on 47 RONIN last year. Now he talks about his work on DRACULA UNTOLD.
Charlie Noble works in visual effects for over 15 years. He joined Double Negative at its beginnings in working on PITCH BLACK. He will participate by result in numerous projects from studios like ENEMY AT THE GATES, FLYBOYS or THE DARK KNIGHT. He has also supervised THE BOURNE ULTIMATUM directed by Paul Greengrass, that he meet again on GREEN ZONE.
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