the strain - résultats de la recherche

In 2012, Ajoy Mani talked to us about his work on THE EXPENDABLES 2. He then took care of the visual effects of movies such as HOMEFRONT and THE EXPENDABLES 3.

Jerome Escobar began his career in the VFX in 2005 at nWave Digital as an FX artist. In 2010, he joined Animal Logic to work on LEGEND OF THE GUARDIANS: THE OWLS OF GA'HOOLE. He then joined MPC and works on films like MAN OF STEEL, MALEFICENT or X-MEN: DAYS OF FUTURE PAST.

Vincent Cirelli worked on many Marvel productions. In 2014, he talked to us about the Luma Pictures work on THOR: THE DARK WORLD. Then he worked on GUARDIANS OF THE GALAXY, AVENGERS: AGE OF ULTRON and ANT-MAN. He also oversaw the effects of IN THE HEART OF THE SEA and DEADPOOL.

In 2013, Wayne Brinton explained to us about the work of Modus FX on PARKER. he then worked on NOW YOU SEE ME and BEAUTY AND THE BEAST. Then he joined MPC to work on X-MEN: DAYS OF FUTURE PAST and CINDERELLA. In 2015, he joined Rodeo FX and worked on GAME OF THRONES and WARCRAFT.

During his last appearance on The Art of VFX, Francois Dumoulin had explained in detail the work of Rodeo FX for LUCY. He then worked on CINDERELLA. Today he talks about the reboot of FANTASTIC FOUR.

Marten Larsson have joined Digital Domain in 2004 as technical director. He worked on many projects such as THE MUMMY: TOMB OF THE DRAGON EMPEROR, 2012, TRANSFORMERS: DARK OF THE MOON or ENDER'S GAME. He talks to us today about his experience as VFX Supervisor on PIXELS.

Last summer, Tim Crosbie explained in details about the work of Rising Sun Pictures on THE WOLVERINE. He is back with superheroes and talks to us about his work on X-MEN: DAYS OF FUTURE PAST.

Kelly Port had explained in details the work of Digital Domain on THOR in 2011. He then worked on the effects of THE WATCH. Now he talks about his work on MALEFICENT.

Christopher Bremble have more than 20 years of experience in the film industry. In 2003, he came to Beijing to complete post-production and visual effects on his second film DEEP RESCUE. In 2003, After its completion, he re-assembled the film's visual effects team and launched Base FX. He worked then on many project such as THE PACIFIC, LOOPER or BROADWALK EMPIRE.

Lou Pecora began his career in the VFX more than 17 years ago. He joined Digital Domain in 2000. He worked on projects such as I, ROBOT, PIRATES OF THE CARIBBEAN: AT WORLD'S END, TRANSFORMERS: REVENGE OF THE FALLEN or IRON MAN 3.