TRANSFORMERS: DARK OF THE MOON – Scott Farrar – VFX Supervisor...
Scott Farrar began his VFX career with STAR TREK: THE MOTION PICTURE. He joined ILM in 1981 and works on most legendary projects of the studio like the BACK TO THE FUTURE trilogy, WILLOW, WHO FRAMED ROGER RABBIT or JURASSIC PARK. As a VFX supervisor, he worked on movies like BACKDRAFT, MINORITY REPORT or the TRANSFORMERS trilogy. He received an Oscar for Best Visual Effects for COCOON.
THE BORGIAS: Doug Campbell – VFX Supervisor – Spin VFX
Doug Campbell began working in visual effects since over 25 years. He participated in many TV series like STARGATE: SG-1, STARGATE: ATLANTIS or KINGDOM HOSPITAL. At Spin VFX, he worked on films such as OUTLANDER, LEGION or BATTLE LOS ANGELES. In the following interview, he talks about his supervision work for the series The Borgias for which he received an Emmy Awards nomination.
GREEN LANTERN: Karen Goulekas – Production VFX Supervisor
Karen Goulekas has over 25 years of experience in visual effects. She has worked in many studios such as Boss Film or Digital Domain. She has worked on such films as TRUE LIES, THE FIFTH ELEMENT or TITANIC. In 1998, she seized the opportunity to be Production VFX Supervisor on GODZILLA. She has since overseen the effects of movies like THE DAY AFTER TOMORROW or 10,000 BC.
GREEN LANTERN: Raffael Dickreuter – Previs Artist – Pixel Liberation Front
After studying at the School of Art and Design of Zurich, Raffael Dickreuter joined the team of Pixel Liberation Front. He worked in many projects such as SUPERMAN RETURNS, TERMINATOR SALVATION, IRON MAN 2 or AVATAR. In 2002, he founded the reference site XSI Base.
ASSASSIN’S CREED REVELATIONS – Digic Pictures
Digic Pictures became known by working on the effects of TERMINATOR 3: RISE OF THE MACHINES. They then conducted numerous cinematic games like ARMIES OF EXIGO, WARHAMMER or DRAGON AGE 2. And of course, the impressive cinematics for the last three ASSASSIN'S CREED. In the following interview, the team Digic Pictures tell us about his work on ASSASSIN'S CREED REVELATIONS.
TRANSFORMERS: DARK OF THE MOON – Digital Domain
Little change of plans, Matthew Butler will finally not have time to answer my questions. Here is anyway a text about the impressive work of Matthew Butler and his team of Digital Domain on TRANSFORMERS: DARK OF THE MOON.
PRIEST: Robert Nederhorst – VFX Supervisor – Svengali FX
Robert Nederhorst worked since 10 years in the VFX. He has participated on projects like X-MEN, THE DAY AFTER TOMORROW or THE BOOK OF ELI. He joined Svengali FX in 2010 and oversees the effects of IRON MAN 2 and THE LAST AIRBENDER. In the following interview, he talks about his work on PRIEST.
PRIEST: Jeff Campbell – VFX Supervisor – Spin VFX
Jeff Campbell and Spin VFX found again the director of LEGION, Scott Stewart, for a new adventure with PRIEST. In the following interview, Jeff talks about his work on this film.
HANNA: Brendan Taylor – VFX Supervisor – Mr. X
Brendan Taylor began his career as on-set assistant for the series HELEN OF TROY. In 2004, he joined Mr. X and participates in projects such as 16 BLOCKS and SILENT HILL as VFX coordinator. Thereafter, it continues to be present on set for movies like SHOOT 'EM UP and WHITEOUT and VFX supervisor for LUST CAUTION or TAKING WOODSTOCK.
X-MEN FIRST CLASS: Nicolas Aithadi – VFX Supervisor – MPC
Nicolas Aithadi is back on The Art of VFX. After spoken of HARRY POTTER AND THE HALF-BLOOD PRINCE, he talks now about his work on X-MEN FIRST CLASS.