In 2016, Guillaume Rocheron explained to us the work of MPC on BATMAN V SUPERMAN: DAWN OF JUSTICE. He talks to us today about his work as Overall VFX Supervisor on GHOST IN THE SHELL.
In 2014, Kyle McCulloch had explained to us the work of Framestore on GUARDIANS OF THE GALAXY. He then took care of the visual effects of PAN.
Prior to joining Brainstorm Digital in 2010. Eran Dinur worked at Framestore and Industrial Light & Magic. At Brainstorm Digital, he took care of the effects of BOARDWALK EMPIRE, THE IMMIGRANT, THE WOLF OF WALL ...
At the beginning of the year, Philippe Theroux explained to us the work of Hybride on ARRIVAL. He then took care of the effects of DEEPWATER HORIZON, THE GREAT WALL and ROGUE ONE: A STAR ...
Last December, Ivan Moran told us about Framestore's work on ARRIVAL. He stays in the science fiction world and explains to us today his work on GHOST IN THE SHELL.
Axel Bonami began his career in the VFX in Paris in 2001 at Duran to work on THE NEST and IMMORTAL (AD VITAM). In 2006, he joined Duboi to work on L'AUBERE ROUGE and ASTERIX ...
In 2015, Adam Gascoyne explained to us the work of Union VFX on THE THEORY OF EVERYTHING. He then worked on many projects such as STEVE JOBS, THE PROGRAM or FLORENCE FOSTER JENKINS. Today, he ...
Dennis Jones began his career in visual effects in London, working at Jim Henson's Creature Shop and Peerless Camera Company. He then joined Rising Sun Pictures in 2005 and worked on numerous films such as ...
Jay Mehta started his career at Rhythm & Hues in 2007, where he worked on projects such as THE GOLDEN COMPASS, THE INCREDIBLE HULK, SNOW WHITE AND THE HUNTSMAN and LIFE OF PI. He then ...
Kirk Brillon joined Spin VFX in 2009 as a compositing artist. He works on numerous projects such as JOHN WICK, THE SHALLOWS, SUICIDE SQUAD and the series THE BORGIAS and GAME OF THRONES.