thor the dark world - résultats de la recherche

Alex Wuttke has worked at Jim Henson's Creature Shop before joining Double Negative in 2002. He worked on films such as THE CHRONICLES OF RIDDICK or BATMAN BEGINS. As a VFX supervisor he took care of the effects for movies like QUANTUM OF SOLACE, 2012 and 2 THOR: THE DARK WORLD.

In 2013, Chris Harvey explained to us the work of Image Engine on ZERO DARK THIRTY. He then worked on FAST & FURIOUS 6 and R.I.P.D. Today, he talks about his work on CHAPPIE.

In 2010, Paul Franklin had explained to us the Double Negative's work on INCEPTION. Two years later, he reworked with Christopher Nolan on the conclusion of his BATMAN trilogy. He reteamed with the director this year for INTERSTELLAR.

Simon Carr worked for nearly 20 years in visual effects. He worked in various studios around the world and on many projects. He oversaw the effects of films such as ROCK OF AGES, OBLIVION, STAR TREK: INTO THE DARKNESS or MONUMENTS MEN.

Rick O'Connor began his career in the visual effects at ILM more than 15 years ago with STAR WARS: EPISODE I - THE PHANTOM MENACE. He then worked on films such as VAN HELSING, WAR OF THE WORLDS, all the TRANSFORMERS films or STAR TREK.

In 2012, Jonathan Fawkner had told us in details of Framestore work on WRATH OF THE TITANS. He then worked on GRAVITY as additional visual effects supervisor. Today he talks about his work on EDGE OF TOMORROW.

Kelly Port had explained in details the work of Digital Domain on THOR in 2011. He then worked on the effects of THE WATCH. Now he talks about his work on MALEFICENT.

Last year, Guillaume Rocheron had explained in details to us the work of MPC on MAN OF STEEL. He then took care of the effects on THE SECRET LIFE OF WALTER MITTY. Today, he talks about his work for the King of the Monsters, GODZILLA.

Sean Farrow worked for over 10 years in VFX. He participated in many movie projects as BATMAN BEGINS, ANGELS & DEMONS, JANE EYRE or IRONCLAD and also on TV shows like BAND OF BROTHERS, ROME or MISFITS.

Charlie Noble works in visual effects for over 15 years. He joined Double Negative at its beginnings in working on PITCH BLACK. He will participate by result in numerous projects from studios like ENEMY AT THE GATES, FLYBOYS or THE DARK KNIGHT. He has also supervised THE BOURNE ULTIMATUM directed by Paul Greengrass, that he meet again on GREEN ZONE.