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GAME OF THRONES: Kirk Shintani – CG Supervisor – a52 /...
Kirk Shintani worked for many years as a freelancer before joining teams of a52/elastic. In the following interview, he talks about his work on the main title of GAME OF THRONES for which he received an Emmy Award.
CAPTAIN AMERICA – THE FIRST AVENGER: Charlie Noble – VFX Supervisor...
After telling us about his work on GREEN ZONE, Charlie Noble returns to the Art of VFX with his team of Double Negative to explain in detail his work on CAPTAIN AMERICA.
RISE OF THE PLANET OF THE APES: Dan Lemmon – VFX...
Dan Lemmon began his career with TERMINATOR 2 3-D at Digital Domain. At the same place, he will also work on TITANIC, FIGHT CLUB or THE LORD OF THE RINGS: THE FELLOWSHIP OF THE RING. He will work on two other THE LORD OF THE RINGS films at Weta Digital. In 2007, he is VFX supervisor for 30 DAYS OF NIGHT. Then follow up with ENCHANTED, JUMPER and AVATAR.
WE ARE THE NIGHT: Miklos Kozary – Compositing Supervisor – Elefant...
Miklos Kozary worked for studios like Mr. X or Pixomondo and participated in movies like SHOOT 'EM UP, VALKYRIE or NINJA ASSASSIN. In 2008, he co-founded Elefant Studios and made the effects of films such as CARGO, or HELL. In the following interview, Miklos talks about his work on WE ARE THE NIGHT.
CONAN THE BARBARIAN: Ajoy Mani – VFX Supervisor – Worldwide FX
Ajoy Mani began his career at Available Light Ltd where he worked on projects such as BLUES BROTHERS 2000 or MY FAVORITE MARTIAN. In 2007 he joined the teams of Worldwide FX to work on RIGHTEOUS KILL as VFX supervisor. Since then he oversaw the effects of films like THE MECHANIC or DRIVE ANGRY. In the following interview, he talks about his work on CONAN THE BARBARIAN.
TRANSFORMERS: DARK OF THE MOON – Scott Farrar – VFX Supervisor...
Scott Farrar began his VFX career with STAR TREK: THE MOTION PICTURE. He joined ILM in 1981 and works on most legendary projects of the studio like the BACK TO THE FUTURE trilogy, WILLOW, WHO FRAMED ROGER RABBIT or JURASSIC PARK. As a VFX supervisor, he worked on movies like BACKDRAFT, MINORITY REPORT or the TRANSFORMERS trilogy. He received an Oscar for Best Visual Effects for COCOON.
PRIEST: Jeff Campbell – VFX Supervisor – Spin VFX
Jeff Campbell and Spin VFX found again the director of LEGION, Scott Stewart, for a new adventure with PRIEST. In the following interview, Jeff talks about his work on this film.
HANNA: Brendan Taylor – VFX Supervisor – Mr. X
Brendan Taylor began his career as on-set assistant for the series HELEN OF TROY. In 2004, he joined Mr. X and participates in projects such as 16 BLOCKS and SILENT HILL as VFX coordinator. Thereafter, it continues to be present on set for movies like SHOOT 'EM UP and WHITEOUT and VFX supervisor for LUST CAUTION or TAKING WOODSTOCK.
X-MEN FIRST CLASS: Nicolas Aithadi – VFX Supervisor – MPC
Nicolas Aithadi is back on The Art of VFX. After spoken of HARRY POTTER AND THE HALF-BLOOD PRINCE, he talks now about his work on X-MEN FIRST CLASS.
THOR: Eric Fernandes – CG Supervisor – Digital Domain
Eric Fernandes has worked in many studios such as Industrial Light and Magic, Weta Digital or Dreamworks Animation and Digital Domain. He has worked on such films as STAR WARS EPISODE II: ATTACK OF THE CLONES, LORD OF THE RINGS: THE TWO TOWERS and RETURN OF THE KING but also on KUNG FU PANDA and AVATAR.