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In 2019, Nhat Phong Tran told us about the work of Pixomondo on the second season of THE ORVILLE. He then worked on EUPHORIA. A few months ago, Phi Van Le told us about his work on MIDWAY. He then worked on FOR ALL MANKIND and WATCHMEN.

James Etherington-Sparks began his career in visual effects nearly 20 years ago at Cinesite. He then worked in many studios like DNEG, The Mill before joining Union VFX in 2017. He has worked on many projects such as CAPTAIN AMERICA: THE FIRST AVENGER, TOTAL RECALL, MAN OF STEEL and DUNKIRK.

Last year, Christian Kaestner explained Framestore's work on CAPTAIN MARVEL. He then joined THE AERONAUTS.

In 2017, Pablo Helman explained to us the work of ILM on SILENCE. He talks to us today about his new collaboration with Martin Scorsese. Leandro Estebecoena has worked in visual effects for over 30 years. He joined ILM in 1996 and worked on films like TRANSFORMERS, IRON MAN, STAR TREK and RANGO. Nelson Sepulveda began his career in visual effects in 1994 at Cinesite. He then worked at Centroplois Entertainment and Weta Digital before joining ILM in 2004. His filmography includes films like RANGO, THE AVENGERS, WARCRAFT and KONG: SKULL ISLAND. Ivan Busquets started working in VFX in the early 2000s. He worked at Cinesite, MPC and ILM. His filmography includes films such as THE GOLDEN COMPASS, SUCKER PUNCH, ROGUE ONE: A STAR WARS STORY and BUMBLEBEE. Stephane Grabli joined ILM in 2008. He worked on films such as RANGO, TRANSFORMERS: AGE OF EXTINCTION, STAR WARS: THE FORCE AWAKENS and JURASSIC WORLD: FALLEN KINGDOM.

In 2014, Laurent Taillefer explained the work of Mokko Studio on BEAUTY AND THE BEAST. He then works at Atomic Fiction (now Method Studios), Mr. X and joins Scanline VFX in 2018. He works on many films like DEADPOOL, STRANGER THINGS, PACIFIC RIM: UPRISING and AD ASTRA.

Sean Mathiesen has been working for nearly 30 years in visual effects and animation. He has worked in many studios including Weta Digital, Rising Sun Pictures, MPC and joined DNEG in 2016. He has worked on many projects such as the LORD OF THE RINGS trilogy, TERMINATOR SALVATION, THE MUPPETS MOST WANTED and BLACK MIRROR.

In 2013, Lindy DeQuattro explained the work of ILM on PACIFIC RIM. She then worked on DOWNSIZING.

In 2018, Dan Glass explained his work on DEADPOOL 2. He then joined DNEG and talks today about his work on FAST & FURIOUS PRESENTS: HOBBS & SHAW.

Michael Enriquez began his career in visual effects more than 20 years ago. He worked on many projects like BATTLESTAR GALACTICA, HEROES and THE WALKING DEAD. As a VFX Supervisor, he took care of the effects of projects such as WESTWORLD, THE HOT ZONE and BIG LITTLE LIES.

Chas Jarrett began his visual effects career more than 20 years ago at MPC. He took care of the effects of many films such as CHARLIE AND THE CHOCOLATE FACTORY, POSEIDON, SHERLOCK HOLMES and LOGAN.