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Mark Breakspear explained to us the work of Method Studios for ELYSIUM on his last visit. Then he worked on ENDER'S GAME and THOR: THE DARK WORLD. Today he talks to us about his work on THE GIVER.

n 2010, Simon Otto had explained in detail about his work at Dreamworks Animation on the first episode of HOW TO TRAIN YOUR DRAGON. He then worked on several shorts inspired by this film. He is now back with the second episode.

Christopher Bremble have more than 20 years of experience in the film industry. In 2003, he came to Beijing to complete post-production and visual effects on his second film DEEP RESCUE. In 2003, After its completion, he re-assembled the film's visual effects team and launched Base FX. He worked then on many project such as THE PACIFIC, LOOPER or BROADWALK EMPIRE.

Last year, Guillaume Rocheron had explained in details to us the work of MPC on MAN OF STEEL. He then took care of the effects on THE SECRET LIFE OF WALTER MITTY. Today, he talks about his work for the King of the Monsters, GODZILLA.

Philippe Rebours began his career in visual effects at BUF on THE CITY OF LOST CHILDREN. He then joined Industrial Light & Magic in...

Laurent Taillefer worked for more than 10 years in visual effects. He worked in France especially at Mikros Image then went to Montreal. He worked for several studios such as New Breed Vfx, Vision Globale or Mokko Studio and participated in projects like PIRANHA 3D, MIRROR MIRROR or ASTERIX AND OBELIX: GOD SAVE BRITANNIA.

For the 4th years of The Art of VFX, I decided to offer you new content and mostly editorial contents. This first article "Look back on 2013 and the expectations for 2014" is the first step. I hope you will find it interesting.

Robert Sethi worked for over 10 years in VFX. He worked at Double Negative on films such as THE CHRONICLES OF RIDDICK, BATMAN BEGINS or STRANGER THAN FICTION. He then joined The Mill and work on many projects.

Martyn Culpitt started his career in visual effects with the LORD OF THE RINGS trilogy, then he worked on films such as VANTAGE POINT, INVICTUS or THE GREEN HORNET. He joined Image Engine in 2012. Mark Wendell is in VFX for over 20 years. He worked on films like SHREK, ALICE IN WONDERLAND, SPEED RACER or PROMETHEUS.

After explaining his work on the main titles for SNOW WHITE AND THE HUNTSMAN, Henry Hobson worked on the titles for the video game THE LAST OF US and started his studio Bootmaker Films. He is also preparing his first feature film.