Project Power - search results

Jonathan Rothbart began his career in VFX at Industrial Light & Magic in 1995. He worked on films like DRAGONHEART, MEN IN BLACK or STAR WARS: EPISODE I - THE PHANTOM MENACE. In 2000, he created the studio The Orphanage with Scott Stewart and Stu Maschwitz. He will oversee the effects of many films like HERO, HELLBOY, SIN CITY or IRON MAN. In 2010, The Orphanage is closed and Jonathan becomes production side VFX Supervisor and take care of the effects of LEGION, PRIEST and AFTER EARTH.

Zave Jackson start his career in visual effects in 2000 in the compositing. He joined Cinesite in 2006 and worked on many projects such as JOHN CARTER, SKYFALL, X-MEN: DAYS OF FUTURE PAST or THE MAN FROM U.N.C.L.E.

During his last visit, Kevin Baillie talked about the work of Atomic Fiction on STAR TREK INTO DARKNESS. He then worked on NEED FOR SPEED and TRANSFORMERS: AGE OF EXTINCTION. He then takes of the effects supervision of the new film by Robert Zemeckis, THE WALK and opens at this occasion an Atomic Fiction office in Montreal.

Pavani Rao began her career in visual effects in 2005 at The Orphanage. She then joins Rhythm & Hues and work on many films such as THE GOLDEN COMPASS or THE INCREDIBLE HULK. In 2009 she moved to Weta Digital to work on AVATAR. She then worked on RISE OF THE PLANET OF THE APES, THE ADVENTURES OF TINTIN and the HOBBIT trilogy.

During his last appearance on The Art of VFX, Francois Dumoulin had explained in detail the work of Rodeo FX for LUCY. He then worked on CINDERELLA. Today he talks about the reboot of FANTASTIC FOUR.

Jake Morrison began his career in visual effects for feature film in the late 90s. He has worked on many projects, such as LORD OF THE RINGS: THE TWO TOWERS, THE MATRIX RELOADED, 300 and IRON MAN 2. He has worked for Marvel Studios as additional VFX supervisor for THOR, 2nd Unit VFX supervisor for THE AVENGERS and Production VFX Supervisor for THOR 2: THE DARK WORLD.

Alex Wuttke has worked at Jim Henson's Creature Shop before joining Double Negative in 2002. He worked on films such as THE CHRONICLES OF RIDDICK or BATMAN BEGINS. As a VFX supervisor he took care of the effects for movies like QUANTUM OF SOLACE, 2012 and 2 THOR: THE DARK WORLD.

The team of Whiskytree talks about the creation of the wide shots of Tomorrowland city, the bioluminescent trees and the Paris launch sequence for TOMORROWLAND and their collaboration with Industrial Light & Magic.

Aymeric Perceval began his career in visual effects in 2010 at Cinesite. He has also worked with Union VFX, Image Engine and Pixomondo. At Cinesite, he has been compositing supervisor on films including EDGE OF TOMORROW, ROBOCOP and HERCULES. MAGGIE is his first project as VFX Supervisor.

In 2013, Christopher Townsend had explained in detail his work on the third IRON MAN movie. He is back on a new Marvel movie with the sequel for The Avengers, AVENGERS - AGE OF ULTRON.