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HANSEL & GRETEL WITCH HUNTERS: Rebecca Marie – VFX Producer &...
Having worked for many years at Pacific Data Images (PDI) on projects such as TOYS, TRUE LIES or NATURAL BORN KILLERS, Rebecca Marie founded Hammerhead in 1995 with Jamie Dixon, Thad Beier and Dan Chuba. She has participated in very many movies including TITANIC, DEEP BLUE SEA, X2, WANTED or THE BOOK OF ELI.
A GOOD DAY TO DIE HARD: Joe Farrell – VFX Supervisor...
After beginning his career in traditional animation, Joe Farrell goes digital on TV series such as STARGATE SG-1 or JEREMIAH. Few years later, he joined Digital Domain and worked on films such as I, ROBOT, FLAGS OF OUR FATHERS, TRANSFORMERS or 2012. In 2010, he moved to Scanline VFX to work on HEREAFTER and then on IMMORTALS and BATTLESHIP.
GANGSTER SQUAD: Dan Levitan – VFX Supervisor – Hammerhead
Dan Levitan began his career in visual effects at Cinesite Hollywood in 1994 and worked on films like WATERWORLD, GATTACA or PLEASANTVILLE. He then worked at Dream Quest Images, CIS Hollywood, Digital Dimension and Hammerhead. As VFX supervisor, he worked on movies such as SALT, THE HANGOVER PART II or FRIGHT NIGHT.
THE HOBBIT – AN UNEXPECTED JOURNEY: Robin Hollander – Compositing Supervisor...
Robin Hollander began his career in visual effects as a runner at MPC. He worked on many projects such as ALEXANDER or THE DA VINCI CODE. In 2007, he joined Weta Digital and participate in films like AVATAR, RISE OF THE PLANET OF THE APES and THE ADVENTURES OF TINTIN.
FLIGHT: Kevin Baillie – VFX Supervisor – Atomic Fiction
Kevin Baillie began working in the visual effects as previz artist on STAR WARS EPISODE 1. He joined The Orphanage in 2000 and have worked on numerous films such as HELLBOY, THE DAY AFTER TOMORROW or SIN CITY. He then worked at ImageMovers Digital on projects like A CHRISTMAS CAROL or March NEEDS MOMS. In 2010, he founded Atomic Fiction with Ryan Tudhope.
LES MISERABLES: Sara Bennett – VFX Supervisor – The Mill
Sara Bennett is in visual effects for over 12 years. She started at Mill Film, then joined Framestore to return finally at The Mill. She has participated in many projects such as BLACK HAWK DOWN, 28 WEEKS LATER, THE CHRONICLES OF NARNIA: THE VOYAGE OF THE DAWN TREADER or DREDD.
ZERO DARK THIRTY: Chris Harvey – VFX Supervisor – Image Engine
After explaining the visual effects of Image Engine on BATTLESHIP, Chris Harvey is back to talk about his work and his collaboration with Kathryn Bigelow on ZERO DARK THIRTY.
CLOUD ATLAS: Angela Barson – VFX Supervisor – BlueBolt
In 2012, Angela Barson told us about her work on SNOW WHITE AND THE HUNTSMAN. She's back to explain the work of BlueBolt on CLOUD ATLAS.
LINCOLN: Ben Morris – VFX Supervisor – Framestore
LINCOLN is the second collaboration of Ben Morris with Steven Spielberg after WAR HORSE. In the following interview, he explains his work at Framestore on this film.
THE LAST STAND: Stuart Lashley – VFX Supervisor – Prime Focus
Stuart Lashley is back on The Art of VFX. He talked about MIRROR MIRROR, he explains now the Prime Focus work on THE LAST STAND.