Iron Man 2 - résultats de la recherche

Chad Wiebe began his career working on the impressive opening scene in bullet time of SWORDFISH at Frantic Films. He then worked on THE CORE, X2 or CATWOMAN. It then supervised the VFX for films like TOOTH FAIRY or DRAGONBALL EVOLUTION. In 2007, Frantic Films was acquired by Prime Focus. Chad then oversee the effects of ECLIPSE.

Angela Barson worked almost eight years at MPC, starting with compositing (TROY and CHARLIE AND THE CHOCOLATE FACTORY) and ending as VFX supervisor for films like CASINO ROYALE and QUANTUM OF SOLACE. In 2009, she founded BlueBolt with Lucy Ainsworth-Taylor and Chas Jarrett. Since then she has overseen the effects of films such as JANE EYRE or FAST FIVE.

Ed Bruce has worked for many years at Screen Scene. He started as an 3D artist, then Head of 3D and finally as VFX Supervisor. He worked on projects like the SILENT CITY, MY BOY JACK and ALBERT NOBBS Nobbs. In the following interview, he talks about his work on the TV series GAME OF THRONES.

Dan Lemmon began his career with TERMINATOR 2 3-D at Digital Domain. At the same place, he will also work on TITANIC, FIGHT CLUB or THE LORD OF THE RINGS: THE FELLOWSHIP OF THE RING. He will work on two other THE LORD OF THE RINGS films at Weta Digital. In 2007, he is VFX supervisor for 30 DAYS OF NIGHT. Then follow up with ENCHANTED, JUMPER and AVATAR.

Scott Farrar began his VFX career with STAR TREK: THE MOTION PICTURE. He joined ILM in 1981 and works on most legendary projects of the studio like the BACK TO THE FUTURE trilogy, WILLOW, WHO FRAMED ROGER RABBIT or JURASSIC PARK. As a VFX supervisor, he worked on movies like BACKDRAFT, MINORITY REPORT or the TRANSFORMERS trilogy. He received an Oscar for Best Visual Effects for COCOON.

Doug Campbell began working in visual effects since over 25 years. He participated in many TV series like STARGATE: SG-1, STARGATE: ATLANTIS or KINGDOM HOSPITAL. At Spin VFX, he worked on films such as OUTLANDER, LEGION or BATTLE LOS ANGELES. In the following interview, he talks about his supervision work for the series The Borgias for which he received an Emmy Awards nomination.

Digic Pictures became known by working on the effects of TERMINATOR 3: RISE OF THE MACHINES. They then conducted numerous cinematic games like ARMIES OF EXIGO, WARHAMMER or DRAGON AGE 2. And of course, the impressive cinematics for the last three ASSASSIN'S CREED. In the following interview, the team Digic Pictures tell us about his work on ASSASSIN'S CREED REVELATIONS.

Little change of plans, Matthew Butler will finally not have time to answer my questions. Here is anyway a text about the impressive work of Matthew Butler and his team of Digital Domain on TRANSFORMERS: DARK OF THE MOON.

Jeff Campbell and Spin VFX found again the director of LEGION, Scott Stewart, for a new adventure with PRIEST. In the following interview, Jeff talks about his work on this film.

Brendan Taylor began his career as on-set assistant for the series HELEN OF TROY. In 2004, he joined Mr. X and participates in projects such as 16 BLOCKS and SILENT HILL as VFX coordinator. Thereafter, it continues to be present on set for movies like SHOOT 'EM UP and WHITEOUT and VFX supervisor for LUST CAUTION or TAKING WOODSTOCK.