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For the 4th years of The Art of VFX, I decided to offer you new content and mostly editorial contents. This first article "Look back on 2013 and the expectations for 2014" is the first step. I hope you will find it interesting.

After explaining his work on the main titles for SNOW WHITE AND THE HUNTSMAN, Henry Hobson worked on the titles for the video game THE LAST OF US and started his studio Bootmaker Films. He is also preparing his first feature film.

Sebastien Moreau began his career in the post-production in 1993. In 2001, he joined the team of ILM and work on movies like VAN HELSING, STAR WARS: EPISODE III - REVENGE OF THE SITH, WAR OF THE WORLDS or PIRATES OF THE CARIBBEAN: DEAD MAN'S CHEST. In 2007, he founded Rodeo FX in Montreal and supervised the effects of films such as SOURCE CODE, IMMORTALS, RED TAILS or MIRROR MIRROR. To discuss the work of Rodeo FX on PACIFIC RIM, he is accompanied by Matthew Rouleau and Fabrice Vienne.

At the beginning of 2019, Aurélie Lajoux explained CGEV's work on The Emperor of Paris. She then worked on many shows such as The...

David Simpson embarked on his journey in the realm of visual effects at Framestore back in 2008. Since then, he worked on Gravity, Fantastic...

Back in 2020, Doug Larmour offered insights into the visual effects process for The Alienist: Angel of Darkness. Subsequently, he contributed to the visual...

In 2019, Nigel Denton-Howes detailed Framestore's involvement in Alita: Battle Angel before embarking on new ventures at ReDefine and Eyeline Studios. After working on...

Back in 2018, Alex Wuttke provided insight into ILM's visual effects work on Jurassic World: Fallen Kingdom. His journey continued with Six Minutes to...

In 2023, Graham Page presented the work of Framestore on The Matrix Resurrections. Today, he returns to discuss his role as Overall VFX Supervisor...

In 2019, Mohsen Mousavi gave us an insight into the visual effects work at Scanline VFX for the eighth season of Game of Thrones....