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Hugh Macdonald (VFX Supervisor), Paddy Eason (VFX Supervisor) and Martin Chamney (CG Supervisor) and two others founded the studio Nvizible in 2009. Nvizible worked on numerous projects as CLASH OF THE TITANS, PRINCE OF PERSIA: THE SANDS OF TIME, JOHN CARTER or GRABBERS.

Paul and Christina Graff are the founders of Crazy Horse Effects. Before that they worked on many projects at Digital Backlot such as THERE WILL BE BLOOD, THE AVIATOR or TROPIC THUNDER. In the following interview, they talk about their collaboration with director Oliver Stone.

Ash Thorp worked as art director and designer for many years. He has participated on films like THE TOURIST, X-MEN: FIRST CLASS, THOR, PROMETHEUS or THE AMAZING SPIDER-MAN. In the following interview, he explains the many challenges on TOTAL RECALL.

Takashi Yamazaki started his career in 1986 at Shirogumi as a model artist, then it will work as a VFX designer before becoming director. It will directs movies like JUVENILE, RETURNER or DEMON WARRIOR 3. He is the VFX supervisor for most of his films. In the following interview, he talks about his work on the space opera SPACE BATTLESHIP YAMATO.

Mark Russell began his career as a VFX producer. For several years he has produced the effects of many films like MINORITY REPORT, HELLBOY or THE ITALIAN JOB. He then became VFX supervisor for films such as SLEEP DEALER, DOUBT or CARRIERS.

J. John Corbett has worked on a impressive number of main titles for TV series such as LIFE IS WILD or 30 ROCK and also for movies like INTOLERABLE CRUELTY, THE DEVIL WEARS PRADA or NO COUNTRY FOR OLD MEN. He received a VES Award for BOARDWALK EMPIRE and was nominated for a Prime Time Emmy for the title sequence of ANGELS IN AMERICA.

Jacob Otterström worked at Filmgate for more than 4 years. He has participated on movies such as THE COTTAGE, EDEN LAKE or THE DESCENT Part 2.

Deak Ferrand has worked for more than 15 years in visual effects as a matte painter. He was on the team that won an Academy Award for the Best Visual Effects for WHAT DREAMS MAY COMES. He has since founded his own company, Hatch, and has participated in a large number of film projects such as RIDDICK, CONSTANTINE, SHOOTER, THE ASSASSINATION OF JESSE JAMES, RED CLIFF and WOLVERINE. In the interview which follows, Deak speaks to us about its course and its work on THE BOOK OF ELI.