i am mother - résultats de la recherche

Titan Books purpose a beautiful art of book written by Linda Sunshine about HOW TO TRAIN YOUR DRAGON 2.

Martin Lipmann began his career in visual effects more than 10 years ago as a Flame assistant. He has worked in many studios around the world and has participated on projects such as HARRY POTTER AND THE PRISONER OF AZKABAN, 300, SNAKES ON A PLANE or MR. NOBODY.

For the 4th years of The Art of VFX, I decided to offer you new content and mostly editorial contents. This first article "Look back on 2013 and the expectations for 2014" is the first step. I hope you will find it interesting.

In 2012, Eric Robinson had explained to us about the work of Mr. X on RESIDENT EVIL: RETRIBUTION. He is now back to talk about the remake of CARRIE.

In 2012, Hugh Macdonald had explained to us the Nvizible work on SKYFALL. He now talks about his first experience as a Overall VFX Suprevisor on KICK ASS 2.

Bill George began his career in visual effects as a model maker in 1979 on STAR TREK: THE MOTION PICTURE. After completing his work on BLADE RUNNER, he joined ILM in 1981. He created models for many films such as STAR WARS: EPISODE IV - RETURN OF THE JEDI, INNERSPACE or GHOSTBUSTERS II. In 1997, he became a visual effects supervisor and take care of many films like GALAXY QUEST, HARRY POTTER AND THE CHAMBER OF SECRETS, EVAN ALMIGHTY or I AM NUMBER FOUR.

Geoffrey Niquet is back on The Art of VFX. He had explained his work on ENTER THE VOID. He speaks to us now about BUF work on LIFE OF PI.

Claudia Chung joined Pixar in 2003 to work on FINDING NEMO. She then worked on THE INCREDIBLES, RATATOUILLE and UP. In the following interview, Claudia talks about the many challenges on BRAVE and especially the hair.

Arundi Asregadoo is in visual effects for over 10 years. He worked at Framestore and then at MPC where he worked on films like TROY, X-MEN: THE LAST STAND or HARRY POTTER AND THE ORDER OF THE PHOENIX.

After working on the animated series POLLUX in 2007, Sirius Buisson joined the teams of Buf Compagnie where he worked on projects such as SPEED RACER, AVATAR or THOR. He was also on set VFX supervisor for ADÈLE BLANC-SEC. He has joined MPC to work on WRATH OF THE TITANS. In the following interview, he talks about his work as supervisor of the short film WELCOME TO HOXFORD.