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Tadao Matsuno has been working in visual effects for almost 20 years. He has worked on films such as CHARLIE'S ANGELS, PINGPONG, VEXILLE and TOMORROW'S JOE. He has been working at Oxybot since 2004.
Tom Proctor began his career as a compositor on THE MATRIX at Manex Visual Effects. He worked in many studios such as Weta Digital, Evil Eye Pictures or Rising Sun Pictures before joining Double Negative in 2010.
As a media partner of Paris Images Digital Summit, we are happy to announce to you that Joe Letteri (Senior VFX Supervisor at Weta...
The team of Day for Night composed by Frank Kaminski (Producer & VFX Supervisor), Marco Del Bianco (Producer & VFX Supervisor), Marwin Wanek (VFX Lead artist), Eva Wendler (VFX Producer) and Christoph Willerscheidt (VFX Artist) explains their work on NORTHMEN - A VIKING SAGA.
Great news! Rodeo FX is opening an office in Los Angeles! Matte Painter Deak Ferrand and Executive Producer Chery Bainum from Hatch FX are joining...
Randy Goux is in visual effects for over 16 years. He has worked in many studios around the world and has worked on various projects such as X-MEN, CONSTANTINE, PATHFINDER or RED.
John Fragomeni, President of Mirada, has been with the studio since its inception in 2010 and oversees all aspects of the studio’s diverse portfolio and developing technology. Most notable of his feature film visual effects credits include the PIRATES OF THE CARIBBEAN franchise and TERMINATOR SALVATION, which he supervised while at Asylum. He has also worked on commercial projects for some of the biggest Fortune 500 companies - as a Director and as a VFX Supervisor - and served as Head of Visual Effects at Motion Theory (MTh). Zach Tucker has supervised countless teams of artists and worked alongside world-class directors for films such as G-FORCE, THE SEEKER: THE DARK IS RISING, DEJA VU and APOCALYPTO. As a Visual Effects Supervisor at Mirada, he brings extensive technical expertise to high-profile feature film and advertising projects, including work for Expedia, Tide, Centrum, and a Super Bowl spot for Wrigley’s “5 Gum.” Tucker has also worked for Digital Domain and Asylum.
Paul Mitchell has worked 13 years at the BBC as a design director. In 2007, he joined Prologue Films and worked on numerous commercials and movie title such as IRON MAN 2 as Creative Director. He explains the challenges in this adaptation of the board game Battleship.
Rob Bredow has worked in visual effects for almost 25 years. He worked at Sony Pictures Imageworks for 15 years before joining Lucasfilm in 2014 and then became SVP, Executive Creative Director and Head of ILM in 2018. He worked on many films such as STUART LITTLE, CAST AWAY, THE POLAR EXPRESS and MEN IN BLACK 3. Patrick Tubach began his career in visual effects in 1996 at Cinesite. He then joined Industrial Light & Magic in 1999. He worked on many films such as ARMAGEDDON, JURASSIC PARK III, the first three films PIRATES OF THE CARIBBEAN and TRANSFORMERS. As a VFX supervisor, he took care of the effects of films like STAR TREK: INTO DARKNESS, TRANSFORMERS: AGE OF EXTINCTION and STAR WARS: THE FORCE AWAKENS. Matt Shumway worked for 10 years at Rhythm & Hues before joining ILM in 2013. He has worked on films such as THE GOLDEN COMPASS, LIFE OF PI, THE REVENANT and STAR WARS: THE LAST JEDI.