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FANTASTIC FOUR: Kevin Smith – VFX Supervisor – Weta Digital

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Kevin Smith began his career in the visual effects in 1993 at Boss Film. A few years later he joined Weta Digital to work on the LORD OF THE RINGS trilogy. He worked on many projects such as AVATAR, RISE OF THE PLANET OF THE APES, THE ADVENTURES OF TINTIN and THE HOBBIT trilogy.

ANT-MAN: Jake Morrison – Production VFX Supervisor

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Jake Morrison began his career in visual effects for feature film in the late 90s. He has worked on many projects, such as LORD OF THE RINGS: THE TWO TOWERS, THE MATRIX RELOADED, 300 and IRON MAN 2. He has worked for Marvel Studios as additional VFX supervisor for THOR, 2nd Unit VFX supervisor for THE AVENGERS and Production VFX Supervisor for THOR 2: THE DARK WORLD.

JERSEY BOYS: Greg Butler – VFX Supervisor – MPC

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Greg Butler began his career in the visual effects more than 20 years ago at ILM. He then worked in several studios like Tippett Studio, Weta Digital and MPC. He has worked on many projects such as FORREST GUMP, THE MASK, the LORD OF THE RINGS trilogy or JACK THE GIANT SLAYER.

GODZILLA: Jim Rygiel – Production VFX Supervisor

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Jim Rygiel began his career in VFX in 1980 at Pacific Electric Pictures. Then he joined Boss Film Studios and worked on numerous films such as THE LAST STARFIGHTER, ALIEN 3, BATMAN RETURNS or STARSHIP TROOPERS. Lately, he took care of the effects for THE AMAZING SPIDER-MAN. He has won three Oscars for Best Visual Effects, one for each film of the LORD OF THE RINGS trilogy.

I, FRANKENSTEIN: Avi Goodman – VFX Supervisor – Iloura

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Avi Goodman began his career in visual effects as an animator at Weta Digital for THE LORD OF THE RINGS: THE TWO TOWERS. He then joined Iloura and worked on films such as AUSTRALIA, DO NOT BE AFRAID OF THE DARK or TED.

WHITE HOUSE DOWN: Martyn Culpitt (VFX Supervisor) & Mark Wendell (CG...

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Martyn Culpitt started his career in visual effects with the LORD OF THE RINGS trilogy, then he worked on films such as VANTAGE POINT, INVICTUS or THE GREEN HORNET. He joined Image Engine in 2012. Mark Wendell is in VFX for over 20 years. He worked on films like SHREK, ALICE IN WONDERLAND, SPEED RACER or PROMETHEUS.

OBLIVION: Steve Preeg – Animation Supervisor – Digital Domain

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Steve Preeg has an experience of over 15 years in the animation and visual effects. He has worked on many films such as FINAL FANTASY: THE SPIRITS WITHIN, THE LORD OF THE RINGS: THE RETURN OF THE KING, KING KONG or TRON LEGACY. In 2009, he won the Oscar for Best Visual Effects for THE CURIOUS CASE OF BENJAMIN BUTTON. OBLIVION is his second collaboration with director Joseph Kosinski.

MIRROR MIRROR: Sebastien Moreau – VFX Supervisor – Rodeo FX

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Sebastien Moreau began his career in visual effects over 15 years ago. He worked in several studios such as Hybride, Weta or ILM and participated in projects such as MIMIC, STAR WARS EPISODE II, WAR OF THE WORLDS or THE LORD OF THE RINGS: THE RETURN OF THE KING. In 2006, he founded Rodeo FX with Mathieu Raynault and oversee the effects of movies like TERMINATOR SALVATION, SOURCE CODE or RED TAILS. In the following interview, he explains his second collaboration with director Tarsem.

THOR: Eric Fernandes – CG Supervisor – Digital Domain

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Eric Fernandes has worked in many studios such as Industrial Light and Magic, Weta Digital or Dreamworks Animation and Digital Domain. He has worked on such films as STAR WARS EPISODE II: ATTACK OF THE CLONES, LORD OF THE RINGS: THE TWO TOWERS and RETURN OF THE KING but also on KUNG FU PANDA and AVATAR.

THOR: Kelly Port – VFX Supervisor – Digital Domain

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Kelly Port began his career in 1995 at Digital Domain on APOLLO 13. He participated in many projects of the studios such as TITANIC, RED PLANET or THE LORD OF THE RINGS: THE FELLOWSHIP OF THE RING. He will also oversee the effects of movies like WE OWN THE NIGHT, STAR TREK or THE A-TEAM.