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TERMINATOR GENISYS: Sheldon Stopsack – VFX Supervisor – MPC

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Stopsack Sheldon began his career in the visual effects in 2002 at Ambient Entertainment. He joined MPC in 2007 and worked on films such as CLASH OF THE TITANS, PROMETHEUS, SKYFALL or X-MEN: DAYS OF FUTURE PAST.

TERMINATOR GENISYS: Shari Hanson – Production VFX Producer

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Before becoming a freelance visual effects producer, Shari Hanson has worked for many years at Industrial Light & Magic in the commercials department and then in features. She took care of the effects of films such as THE ISLAND, MISSION: IMPOSSIBLE III, TRANSFORMERS or STAR TREK.

TOMORROWLAND: Votch Levi, VFX Supervisor – Brian Meanley & Steven Caron,...

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The team of Whiskytree talks about the creation of the wide shots of Tomorrowland city, the bioluminescent trees and the Paris launch sequence for TOMORROWLAND and their collaboration with Industrial Light & Magic.

MAGGIE: Aymeric Perceval – VFX Supervisor – Cinesite

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Aymeric Perceval began his career in visual effects in 2010 at Cinesite. He has also worked with Union VFX, Image Engine and Pixomondo. At Cinesite, he has been compositing supervisor on films including EDGE OF TOMORROW, ROBOCOP and HERCULES. MAGGIE is his first project as VFX Supervisor.

MAD MAX FURY ROAD: Tom Wood – VFX Supervisor – Iloura

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Tom Wood began working in the visual effects as an animator at Cinesite on films like EVENT HORIZON and LOST IN SPACE. He then worked many years at MPC on films such as ENEMY AT THE GATES, HARRY POTTER AND THE CHAMBER OF SECRETS, KINGDOM OF HEAVEN or SUNSHINE. He then became independent and take care of the effects of movies like PRINCE OF PERSIA: THE SANDS OF TIME or MIRROR MIRROR.

CHILD 44: Chris Harvey (VFX Supervisor) & Bernhard Kimbacher (Compositing Supervisor)...

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In last March, Chris Harvey talked in detail about the work of Image Engine on CHAPPIE by Neill Blomkamp. As for Bernhard Kimbacher, he had detailed to us his work on LONE SURVIVOR last year.

TOMORROWLAND: Craig Hammack – VFX Supervisor – ILM

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Craig Hammack begins his career in visual effects at ILM in 1997. He works on projects such as TITANIC, STAR WARS: EPISODE III - REVENGE OF THE SITH, PIRATES OF THE CARIBBEAN: DEAD MAN'S CHEST or STAR TREK. He then became VFX Supervisor on THE LAST AIRBENDER and then supervise the effects for RED TAILS, BATTLESHIP and NOW YOU SEE ME.

AVENGERS – AGE OF ULTRON: Christopher Townsend – Production VFX Supervisor

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In 2013, Christopher Townsend had explained in detail his work on the third IRON MAN movie. He is back on a new Marvel movie with the sequel for The Avengers, AVENGERS - AGE OF ULTRON.

AVENGERS – AGE OF ULTRON: Ben Snow – VFX Supervisor –...

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Ben Snow joined Industrial Light & Magic in 1994. He has worked on films such as TWISTER, JURASSIC PARK: THE LOST WORLD or THE MUMMY. He then became VFX Supervisor and take care of the visual effects of movies like STAR WARS EPISODE II - ATTACK OF THE CLONES, IRON MAN, PIRATES OF THE CARIBBEAN: ON STRANGER TIDES or NOAH.

LOST RIVER: Vincent Papaix – Lead Compositor – Digital Domain

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Vincent Papaix started his career in the VFX in 2009 at Mikros Image. He then worked for several studios such as Method Studios, MPC or Digital Domain. He worked on many projects as THOR, IRON MAN 3, MALEFICENT or FURIOUS 7.