pirates caribbean - résultats de la recherche

Here is the recap of my interviews of the week #22. So you won't miss any of them. MAD MAX FURY ROAD: Tom Wood -...

Craig Hammack begins his career in visual effects at ILM in 1997. He works on projects such as TITANIC, STAR WARS: EPISODE III - REVENGE OF THE SITH, PIRATES OF THE CARIBBEAN: DEAD MAN'S CHEST or STAR TREK. He then became VFX Supervisor on THE LAST AIRBENDER and then supervise the effects for RED TAILS, BATTLESHIP and NOW YOU SEE ME.

Here is the recap of my interviews of the week #20. So you won't miss any of them. AVENGERS - AGE OF ULTRON: Ben Snow...

Ben Snow joined Industrial Light & Magic in 1994. He has worked on films such as TWISTER, JURASSIC PARK: THE LOST WORLD or THE MUMMY. He then became VFX Supervisor and take care of the visual effects of movies like STAR WARS EPISODE II - ATTACK OF THE CLONES, IRON MAN, PIRATES OF THE CARIBBEAN: ON STRANGER TIDES or NOAH.

The team of Day for Night composed by Frank Kaminski (Producer & VFX Supervisor), Marco Del Bianco (Producer & VFX Supervisor), Marwin Wanek (VFX Lead artist), Eva Wendler (VFX Producer) and Christoph Willerscheidt (VFX Artist) explains their work on NORTHMEN - A VIKING SAGA.

Here is the recap of my interview of the week #49. So you won't miss any of them. THE HUNGER GAMES - MOCKINGJAY PART 1:...

Charles Gibson began his career in the visual effects by working on numerous TV series. In 1987, he founded Rhythm and Hues with John Hughes, Pauline Ts'o, Keith Goldfarb, Cliff Ball and Frank Wuts. He will work there for a decade. Then he became freelance VFX Supervisor and will handle films like THE TERMINAL, the PIRATES OF THE CARIBBEAN or TERMINATOR SALVATION. He won two Oscars for best visual effects, the first on for BABE and the second for PIRATES OF THE CARIBBEAN: DEAD MAN'S CHEST.

MAN OF TAI CHI: Christopher Bremble – Founder & Chief Executive Officer – Base FX Christopher Bremble have more than 20 years of experience in...

In 2004, Michel Mielke started as VFX-Producer at Scanline, working on projects like 2012, PIRATES OF THE CARIBBEAN: ON STRANGER TIDES or Marvel's THE AVENGERS. In 2012, he became VFX Supervisor, for projects like LOOPER and SNOWPIERCER. He's now Head of Production since spring 2013, supervising all inhouse producers and taking care the daily business.

X-MEN - DAYS OF FUTURE PAST: Benoit Dubuc - Animation Supervisor - MPC Benoit Dubuc began his career in 2001. He has worked at several...