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95th Oscars®: The VFX Shortlist

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The Academy of Motion Picture Arts and Sciences has announced the shortlists for ten categories! Here is the shortlist for Best Visual Effects: All Quiet on...

She-Hulk – Attorney at Law: Jan Phillip Cramer (VFX Supervisor) with...

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Jan Phillip Cramer started his career in visual effects at Sony Pictures Imageworks in 2005. He then joined Weta FX in 2007 and Digital...

Sony Pictures Entertainment will acquires Pixomondo

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What a big news! Sony Pictures Entertainment announces the acquisition of Pixomondo, an Oscar and Emmy® award winning virtual production, visualization and VFX company! Here...

Thor – Love and Thunder: Joanna Davison (CG Supervisor) and Tim...

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Joanna Davison started her career in visual effects in 2005 at Framestore. She joined the Weta FX team in 2011. She has worked on...

The 1000th Interview: Niklas Jacobson & Yafei Wu – Co-founders –...

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Important Looking Pirates (ILP) is a visual effects and digital animation studio located in central Stockholm founded in 2007 by Niklas Jacobson, Yafei Wu,...

Dune: Paul Lambert (Production VFX Supervisor), Tristan Myles (VFX Supervisor –...

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Back in 2017, Paul Lambert explained the work of DNEG on Blade Runner 2049. He then worked on First Man. Today he talks to...

Free Guy: Scott Edelstein – DFX Supervisor – Digital Domain

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Back in 2019, Scott Edelstein explained Digital Domain's work on Avengers: Endgame. Today he returns to tell us about Free Guy. How did you and...

Zack Snyder’s Justice League: Kevin Smith (VFX Supervisor) and Simeon Duncombe...

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Back in 2018, Kevin Smith talked to us about the work of Weta Digital on Mortal Engines. He went on to work on Godzilla...

SPACE FORCE: Chris White (VFX Supervisor) & Aidan Martin (Animation Supervisor)...

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Chris White and Aidan Martin told us in detail about the work of Weta Digital work on THE UMBRELLA ACADEMY last year. They are back with a new Netflix series, SPACE FORCE.

BIRDS OF PREY: Thrain Shadbolt – VFX Supervisor – Weta Digital

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Thrain Shadbolt has been working in visual effects for over 16 years. He began his career at Cinesite before joining Weta Digital in 2008. He has worked on numerous projects such as V FOR VENDETTA, AVATAR, DAWN OF THE PLANET OF THE APES, RAMPAGE and THE UMBRELLA ACADEMY.