War of the Worlds - résultats de la recherche

Neil Huxley is back on Art of VFX. He talked about his work at Prime Focus on AVATAR. He then joined the team of Mothership as director. Accompanied by Aladino Debert, he explains his work on this DEAD SPACE 3 commercial.

Prior to founding One Of Us with Rachael Penfold in 2006, Tom Debenham and Dominic Parker worked at Framestore for many years. They participated in projects like MISSION IMPOSSIBLE II, CHICKEN RUN or RESIDENT EVIL. At One of Us, they have been working on THE TREE OF LIFE or MIRROR MIRROR.

After he talked about his work on RANGO, Henry Hobson has worked on projects like THE HANGOVER PART II, FRIGHT NIGHT or THE THING. He returns to The Art of VFX to explain his work on SNOW WHITE AND THE HUNTSMAN.

Matt Aitken joined Weta Digital just after its creation in 1994. He participated in all major projects of the studio as THE FRIGHTENERS, the LORD OF THE RINGS trilogy, I ROBOT, KING KONG or AVATAR. He won two VES Awards for KING KONG and THE LORD OF THE RINGS: THE TWO TOWERS. In the following interview, he talks about his work on THE ADVENTURES OF TINTIN.

David Vickery is working at Double Negative for nearly 10 years. He has participated in projects such as CHILDREN OF MEN, THE DARK KNIGHT or CLOVERFIELD. He oversaw films such as SHERLOCK HOLMES and HARRY POTTER AND THE DEATHLY HALLOWS PART 1.

Ian Hunter is in the world of special effects for more than 25 years. He is one of the co-founder of New Deal Studios. He has worked on many films such as BATMAN RETURNS, PITCH BLACK, WAR OF THE WORLDS or THE DARK KNIGHT. He just won the Oscar and BAFTA for Best Visual Effects for INTERSTELLAR.

Before joining ILM in 1996, Pablo Helman has worked on films like APOLLO 13 or INDEPENDENCE DAY. At ILM, he worked on films such as MEN IN BLACK, DEEP IMPACT or SAVING PRIVATE RYAN. As VFX Supervisor he took care of movies like TERMINATOR 3: RISE OF THE MACHINES, WAR OF THE WORLDS, INDIANA JONES AND THE CRYSTAL SKULL or BATTLESHIP.

Sebastien Moreau began his career in visual effects over 15 years ago. He worked in several studios such as Hybride, Weta or ILM and participated in projects such as MIMIC, STAR WARS EPISODE II, WAR OF THE WORLDS or THE LORD OF THE RINGS: THE RETURN OF THE KING. In 2006, he founded Rodeo FX with Mathieu Raynault and oversee the effects of movies like TERMINATOR SALVATION, SOURCE CODE or RED TAILS. In the following interview, he explains his second collaboration with director Tarsem.

With over 26 years of experience in visual effects (including 21 at ILM), Todd Vaziri has a large number of films in his filmography...

In 1997, Jay Worth set foot in the visual effects industry, marking the beginning of a remarkable career path. His contributions have graced numerous...