catch 22 - résultats de la recherche

After working at BBC on PLANET DINOSAUR, Tom Brass joined Jellyfish Pictures in 2011. He worked on many projects such as AMERICAN DYNASTIES: THE KENNEDYS, DEADLY DINOSAURS WITH STEVE BACKSHALL and THE INNOCENTS. Dave Cook began his career in visual effects in 2004. He worked in many studios and then became Head of 3D at Jellyfish Pictures in 2015.

In 2018, Chris White explained the work of Weta Digital on MAZE RUNNER: THE DEATH CURE. He talks to us today about his work on the Netflix serie, THE UMBRELLA ACADEMY. Aidan Martin began his career in visual effects as an animator in 2005. He joined Weta Digital in 2013 to work on THE HOBBIT: THE DESOLATION OF SMAUG. He then works on many films like THE HOBBIT: BATTLE OF THE FIVE ARMIES, THE BFG, WAR FOR THE PLANET OF THE APES and RAMPAGE.

Christian Lett joined Bait Studio in 2011 and takes care of the visual effects of many projects such as THE MACHINE, THE CALL UP, TAKE DOWN and DON'T KNOCK TWICE.

Earlier this year, Salvador Zalvidea explained the work of Cinesite on MUTE. He talks to us today about his work on ADRIFT.

In 2013, Matthew Butler told us about Digital Domain's work on ENDER'S GAME. He then worked on PIXELS. He talks to us today about his first collaboration with director Steven Spielberg for READY PLAYER ONE. Few months ago, Scott Meadows, explained to us the work of pre-visualization of Digital Domain on BLACK PANTHER.

In 2013, Ben Morris explained to us about the work of Framestore on LINCOLN, he then worked on GRAVITY. Then he joins Industrial Light & Magic. STAR WARS - THE LAST JEDI is his second film STAR WARS after THE FORCE AWAKENS.

Erik Winquist has nearly 20 years of experience in visual effects and has worked at Weta Digital for 15 years. He has participated in many films such as THE LORD OF THE RINGS: THE RETURN OF THE KING, KING KONG, AVATAR, THE HOBBIT: AN UNEXPECTED JOURNEY and of course the APES trilogy.

In 2015, Sheldon Stopsack explained to us about the work of MPC on TERMINATOR GENISYS and then he worked on PIRATES OF THE CARIBBEAN: DEAD MEN TELL NO TALES. Today, he talks about his first collaboration with director Michael Bay for TRANSFORMERS: THE LAST KNIGHT.

In 2013, Scott Stokdyk told us about the work of Sony Pictures Imageworks on OZ THE GREAT AND POWERFUL. He then took care of the visual effects of THE 5TH WAVE. Sophie Leclerc started her career in the visual effects at Tippett Studio. She has produced the visual effects of many films such as THE A-TEAM, FAST FIVE and UPSIDE DOWN. VALERIAN is her second collaboration with Luc Besson after LUCY.

Before joining Rodeo FX in 2015, Philippe Soeiro was at Eclair Numerique where he worked on numerous projects such as THE PIANIST, ALEXANDER, THE TRANSPORTER or THE NINTH GATE. Then he joined Autodesk to work as Lead Product Designer for Flame / Smoke. At Rodeo FX, he worked on CENTRAL INTELLIGENCE and THE SPACE BETWEEN US.