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MISS PEREGRINE’S HOME FOR PECULIAR CHILDREN: Daniel Tarmy – Digital Effects...

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Daniel Tarmy worked in many studios like Digital Domain and Sony Pictures Imageworks before joining MPC for PROMETHEUS. He worked on many projects such as WORLD WAR Z, 47 RONIN, GOOSEBUMPS or THE FINEST HOURS.

MAD MAX FURY ROAD: Tom Wood – VFX Supervisor – Iloura

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Tom Wood began working in the visual effects as an animator at Cinesite on films like EVENT HORIZON and LOST IN SPACE. He then worked many years at MPC on films such as ENEMY AT THE GATES, HARRY POTTER AND THE CHAMBER OF SECRETS, KINGDOM OF HEAVEN or SUNSHINE. He then became independent and take care of the effects of movies like PRINCE OF PERSIA: THE SANDS OF TIME or MIRROR MIRROR.

AVENGERS – AGE OF ULTRON: Christopher Townsend – Production VFX Supervisor

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In 2013, Christopher Townsend had explained in detail his work on the third IRON MAN movie. He is back on a new Marvel movie with the sequel for The Avengers, AVENGERS - AGE OF ULTRON.

JUPITER ASCENDING: Simon Carr – VFX Supervisor – Method Studios

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On last month, Simon Carr explained to us in detail his work on EXODUS: GODS AND KINGS. He speaks to us today about the impressive work of Method Studios on the new sci-fi movie by The Wachowskis, JUPITER ASCENDING.

Interviews of the Week #31

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Here the recap of my interviews of the week #31. So you won't miss any of them. LUCY: François Dumoulin - VFX Supervisor - Rodeo...

CAPTAIN AMERICA – THE WINTER SOLDIER: Russell Earl – VFX Supervisor...

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After working with Douglas Trumbull as traditional model maker, Russell Earl joined the teams of ILM in the beginning of the 90s. He worked on many projects such as DRAGONHEART, DEEP IMPACT, STAR WARS: EPISODE I - THE PHANTOM MENACE and MEN IN BLACK II. As VFX Supervisor, he took care of the effects for movies like TRANSFORMERS, RED TAILS, STAR TREK and SUPER 8.

300 – RISE OF AN EMPIRE: Danielle Plantec & Bryan Hirota...

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In 2011, Danielle Plantec had detailed to us the work of Scanline VFX on IMMORTALS. She then worked on films such as IRON MAN 3 MAN OF STEEL or THE WOLF OF WALL STREET. In 2012, Byan Hirota talked about his work on SNOW WHITE AND THE HUNTSMAN at Pixomondo. He has moved then to Scanline VFX. Today, they explain in detail their work on the sequel of 300.

WORLD WAR Z: Matt Johnson (VFX Supervisor), Anthony Zwartouw (CG Supervisor)...

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Two years ago, Matt Johnson had told us about the work of Cinesite on X-MEN FIRST CLASS. To talk about WORLD WAR Z, he is accompanied with Anthony Zwartouw (CG Supervisor) and Thomas Dyg (Environment Supervisor).

IRON MAN 3: Guy Williams – VFX Supervisor & Aaron Gilman...

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Guy Williams had talked to us here about the visual effects of Weta Digital on THE AVENGERS a year ago. He is back with this new Marvel production and explains the many challenges on this film. Aaron Gilman started his career in animation more than 10 years ago. He worked for studios such as Meteor Studios and Tippett Studio on projects like MATRIX REVOLUTIONS, HELLBOY, CONSTANTINE or JOURNEY TO THE CENTER OF THE EARTH. He then joined Weta Digital to work on AVATAR. After that he worked on films such as THE ADVENTURES OF TINTIN, THE AVENGERS and THE HOBBIT: AN UNEXPECTED JOURNEY.

PROMETHEUS: Martin Hill – VFX Supervisor – Weta Digital

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Martin Hill began his career in VFX at Double Negative, where he worked on films like BELOW, THE CHRONICLES OF RIDDICK or BATMAN BEGINS. He then joined Weta Digital for KING KONG. He worked on many projects like ERAGON, AVATAR, RISE OF THE PLANET OF THE APES or THE ADVENTURES OF TINTIN.