catch 22 - résultats de la recherche

Back in 2017, Jake Morrison explained the visual effects work on Thor: Ragnarok. He then worked on Jungle Cruise. He's back today to talk...

What a great addition to the teams of DNEG with the arrival of Janek Sirrs as VFX Supervisor! Here is the press release: DNEG Appoints Academy...

Dominic Hellier started his career in visual effects 19 years ago at Iloura which later became Method Studios and now Framestore. He has worked...

Louis Laflamme-Fillion has been working in visual effects for over 10 years. He has worked in many studios such as Mokko Studio, MPC, Fin...

Back in 2018, Huw Evans explained the work done by the teams of DNEG on Mission: Impossible - Fallout. He then went on to...

Ian Fellows has more than 20 years of experience in visual effects. He has worked at many studios such as Framestore and MPC before...

With almost 30 years of experience in VFX and CG, Kay Delventhal has worked in many studios and on a large number of projects....

Last year, Matt Kasmir explained to us in detail his work on the George Clooney's series, Catch-22. He is back today to tell us...

Last year, Justin Ball explained his work on THE CURRENT WAR. He then worked on NIGHT SCHOOL, THE OA PART II and UNHINGED.

Dan Charbit started his career in visual effects more than 20 years ago in France and has worked in many Parisian studios such as Mac Guff Ligne. In 2013, he moved to Montreal and worked for Rodeo FX, FOLKS and MPC before joining DNEG in 2018. As a VFX Supervisor, he took care of the effects for shows like SHADOWHUNTERS, CATCH-22 and ALTERED CARBON - Season 2. Barry Corcoran has been working in visual effects and motion graphics for over 10 years. He worked at Rushes and joined DNEG in 2018. He has worked on projects such as SPECTRE, DEADPOOL 2, VENOM and HOBBS & SHAW.