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The 1000th interview: Duncan McWilliam – Founder & CEO – Outpost...

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Headquartered in Bournemouth, UK, and with offices in Montréal, London, Los Angeles and Mumbai, Outpost VFX exists to bring vivid creative ideas to life...

Thor – Love and Thunder: Pete Dionne & Matthew Twyford –...

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In 2019, Pete Dionne explained the work made by MPC on Pokémon: Detective Pikachu. He then joined the teams of Method Studios in 2021...

Doctor Strange in the Multiverse of Madness: Julian Foddy (VFX Supervisor)...

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Julian Foddy started his career in visual effects at DNEG in 2006. He then joined ILM in 2015. He has worked on a number...

The Adam Project: Alexander Seaman (VFX Supervisor) & Mike Duffy (VFX...

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Alexander Seaman started his career in visual effects in 2004 at MPC, he then worked at Framestore before joining DNEG in 2006. He has...

Moonfall: Robert Winter – VFX Supervisor – Framestore

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In 2020, Robert Winter explained the work of Framestore on Lady and The Tramp. He then worked on Army of the Dead. How did you...

Home Sweet Home Alone: Martin Lipmann – Production VFX Supervisor

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In 2014, Martin Lipmann told us about Vision Globale (now MELS) work for Brick Mansions. He then joined the Rodeo FX teams in 2015...

Foundation: Arnaud Brisebois – VFX Supervisor – Rodeo FX

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In 2016, Arnaud Brisebois talked about the work of Rodeo FX on Fantastic Beasts and Where to Find Them. He then worked on many...

Eternals: Daniele Bigi (VFX Supervisor) with Peter Kyme (CG Supervisor), Mathieu...

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In 2019, Daniele Bigi had explained ILM's work on Aladdin. He then worked on Star Wars: The Rise of Skywalker. Peter Kyme started his career...

The Wheel of Time: Julian Parry – Overall VFX Supervisor

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Back in 2020, Julian Parry explained the creation of the visual effects for the first season of The Witcher. Today he talks to us...

Eternals: Jelmer Boskma – VFX Supervisor – Scanline VFX

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Back in 2018, Jelmer Boskma explained the work of Scanline VFX for Ant-Man and The Wasp. Today he's back for another Marvel Studios adventure. How...