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Last year, Guillaume Rocheron had explained in details to us the work of MPC on MAN OF STEEL. He then took care of the effects on THE SECRET LIFE OF WALTER MITTY. Today, he talks about his work for the King of the Monsters, GODZILLA.

Lou Pecora began his career in the VFX more than 17 years ago. He joined Digital Domain in 2000. He worked on projects such as I, ROBOT, PIRATES OF THE CARIBBEAN: AT WORLD'S END, TRANSFORMERS: REVENGE OF THE FALLEN or IRON MAN 3.

Philippe Rebours began his career in visual effects at BUF on THE CITY OF LOST CHILDREN. He then joined Industrial Light & Magic in...

In 2011, Jesper Kjolsrud had explained in details the work of Image Engine for THE THING. He then supervised the effects R.I.P.D. As one of Image Engine’s longest serving crewmembers, Bernhard Kimbacher has contributed to many of the company’s projects, including DISTRICT 9; THE TWILIGHT SAGA: ECLIPSE; THE THING; BATTLESHIP and ELYSIUM. He joined Jesper on set in New Mexico as Plate Supervisor for LONE SURVIVOR and was also the Compositing Supervisor.

Since his last interview here, Dan Schrecker worked on several projects such as THE SECRET LIFE OF WALTER MITTY and GODS BEHAVING BADLY. NOAH is the occasion to work again with director Darren Aronofsky since BLACK SWAN.

In 2011, Danielle Plantec had detailed to us the work of Scanline VFX on IMMORTALS. She then worked on films such as IRON MAN 3 MAN OF STEEL or THE WOLF OF WALL STREET. In 2012, Byan Hirota talked about his work on SNOW WHITE AND THE HUNTSMAN at Pixomondo. He has moved then to Scanline VFX. Today, they explain in detail their work on the sequel of 300.

Laurent Taillefer worked for more than 10 years in visual effects. He worked in France especially at Mikros Image then went to Montreal. He worked for several studios such as New Breed Vfx, Vision Globale or Mokko Studio and participated in projects like PIRANHA 3D, MIRROR MIRROR or ASTERIX AND OBELIX: GOD SAVE BRITANNIA.

For the 4th years of The Art of VFX, I decided to offer you new content and mostly editorial contents. This first article "Look back on 2013 and the expectations for 2014" is the first step. I hope you will find it interesting.

Christian Manz began his career in visual effects at Framestore in 1997 as a runner. He then made his way in the Compositing Department. He oversaw the effects of projects such as SPOOKS, PRIMEVAL, NANNY MCPHEE AND THE BIG BANG or HARRY POTTER AND THE DEATHLY HALLOWS: PART 1.

After having explained the work of Baseblack on DREDD and TOTAL RECALL, Rudi Holzapfel worked on TRAP FOR CINDERELLA and TV serie AMBASSADORS. He is back to talk about the new episode of JACK RYAN.