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Mark Breakspear explained to us the work of Method Studios for ELYSIUM on his last visit. Then he worked on ENDER'S GAME and THOR: THE DARK WORLD. Today he talks to us about his work on THE GIVER.
Here is the recap of my interviews of the week #34. So you won't miss any of them. GUARDIANS OF THE GALAXY: Stephane Ceretti -...
During his last visit, in 2011, Stephane Ceretti talked to us in details about his work on CAPTAIN AMERICA: THE FIRST AVENGER. He then worked on CLOUD ATLAS and THOR: THE DARK WORLD.
Last year, Bryan Grill explained to us in details the work of Scanline VFX on IRON MAN 3. He is now back in the Marvel universe with CAPTAIN AMERICA. THE WINTER SOLDIER.
For the 4th years of The Art of VFX, I decided to offer you new content and mostly editorial contents. This first article "Look back on 2013 and the expectations for 2014" is the first step. I hope you will find it interesting.
The short list for the Best Visual Effects Oscars have being announced! Here is the short list for Visual Effects: ELYSIUM GRAVITY THE HOBBIT: THE DESOLATION OF SMAUG IRON...
Neil Huxley is back on Art of VFX. He talked about his work at Prime Focus on AVATAR. He then joined the team of Mothership as director. Accompanied by Aladino Debert, he explains his work on this DEAD SPACE 3 commercial.
Jeff White joined ILM almost 10 years ago and has participated on projects like VAN HELSING, STAR WARS EPISODE III, TRANSFORMERS: REVENGE OF THE FALLEN or TRANSFORMERS: DARK OF THE MOON. He received a VES Award for Outstanding Visual Effects in a Special Venue Project for TRANSFORMERS: THE RIDE 3D.
Dave Morley has been evolving for over 10 years in visual effects. He has worked on films such as MOULIN ROUGE, SEE NO EVIL, or CHARLOTTE'S WEB. As a VFX supervisor, he has worked on films like ROGUE, THE SPIRIT or AUSTRALIA. Jason Bath is also evolving over the past ten years in visual effects. As VFX executive producer, he has worked on many projects in common with Dave Morley at Fuel VFX. In the following interview, they talk about their work on CAPTAIN AMERICA.
Working since 1995 at BUF Company, Geoffrey Niquet has participated in projects such as BATMAN & ROBIN, FIGHT CLUB or THE CELL. It becomes VFX supervisor in 2004 on ATOMIK CIRCUS and has since overseen the effects of films such as SPEED RACER or THE EXTRAORDINARY ADVENTURES OF ADELE BLANC-SEC.