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This month of February marks a new year for The Art of VFX and is also the Awards season. The last year was rich of...

Breaking news! VFX Supervisor Eric Barba have joined Industrial Light & Magic at Vancouver! Here is the press release: Industrial Light & Magic (ILM), a division...

Here is a the first trailer for the new movie of David Fincher, GONE GIRL: The VFX are made by: Digital Domain (VFX Supervisor : Eric...

Charlie Iturriaga is back on The Art of VFX. THE GIRL WITH THE DRAGON TATTOO is the fourth collaboration between David Fincher and Ollin Studio. In the following interview, Charlie explains the invisible effects studio that created them, including an impressive number of computer screens.

After explaining his work on CAPTAIN AMERICA, Dave Morley is back on The Art of VFX. In this new interview, he tells us his work on MISSION IMPOSSIBLE: GHOST PROTOCOL. This film is the second collaboration of Fuel VFX with ILM.

Sean Andrew Faden began his career in 1996 at Digital Domain where he worked on films such as THE FIFTH ELEMENT, TITANIC, FIGHT CLUB or RED PLANET. In 2004 he joined the team of Asylum Visual Effects and participate on films like CHARLIE AND THE CHOCOLATE FACTORY, THE CURIOUS CASE OF BENJAMIN BUTTON or DOMINO. In 2009, he joined Method Studios and oversee the visual effects of films such as LET ME IN, GULLIVER'S TRAVELS or CAPTAIN AMERICA: FIRST AVENGER. In the following interview, he talks about his work on THE GIRL WITH THE DRAGON TATTOO.

Tim Miller is the co-founder and creative director of Blur Studio. He directed the DANTE'S INFERNO TV spot for the Superbowl and more than 10 minutes of cinematic of this game. He has also directed the game cinematic for DC UNIVERSE ONLINE. In the following interview, he talks about his work on the main title of David Fincher's THE GIRL WITH THE DRAGON TATTOO.

Miklos Kozary worked for studios like Mr. X or Pixomondo and participated in movies like SHOOT 'EM UP, VALKYRIE or NINJA ASSASSIN. In 2008, he co-founded Elefant Studios and made the effects of films such as CARGO, or HELL. In the following interview, Miklos talks about his work on WE ARE THE NIGHT.

After working several years in Mexico and Latin America, Charlie Iturriaga and Ollin Studio began a long collaboration with David Fincher working on ZODIAC, THE CURIOUS CASE OF BENJAMIN BUTTON and THE SOCIAL NETWORK. At their credits, there are also the visual effects of THE SPIRIT, LET ME IN and THE LAST AIRBENDER.

Guillaume Rocheron begins his career at BUF in 2000. Having worked on films such as PANIC ROOM, ALEXANDER and BATMAN BEGINS, he left to join the teams of MPC in London. He worked on SUNSHINE, 10'000 BC or HARRY POTTER AND THE HALF BLOOD . In 2009, he moved to MPC Vancouver to work on PERCY JACKSON.