The Kid Who Would Be King - résultats de la recherche

Back in 2017, Sheldon Stopsack explained in detail the work of MPC on Transformers: The Last Knight. He then worked on Roma and joined...

Ian Fellows has more than 20 years of experience in visual effects. He has worked at many studios such as Framestore and MPC before...

Sebastian Barker began his career in visual effects in 2006 at Rushes working on films such as 28 Weeks Later  and RocknRolla. In 2014,...

Nathan McGuinness has over 20 years experience in visual effects. He founded the studio Asylum in 1999 where he has worked on films such...

In 2019, Martin Hill explained to us the work of Weta Digital on the final season of GAME OF THRONES. Today he talks to us with Nick Stein (Animation Supervisor), Thrain Shadbolt, Philip Leonhardt (VFX Supervisors) about their work on Netflix's tale, THE CHRISTMAS CHRONICLES 2.

Andrew Scrase started his career in visual effects in 2007 at DNEG. He then worked at One of Us before joining Framestore in 2019. He has worked on various shows including KICK-ASS, INTERSTELLAR, PACIFIC RIM: UPRISING and ALADDIN. Standish Millennas began working in VFX in 2007 at Machine. She then joined Prime Focus and One of Us then Framestore in 2019. She has worked on projects such as ROBIN HOOD, THE EAGLE, THE OA and TOLKIEN.

In 2013, Jeff Campbell explained the work of Spin VFX on AFTER EARTH. He then worked on many shows including GAME OF THRONES, JOHN WICK, FEAR THE WALKING DEAD and THE SHANNARA CHRONICLES.

IN 2018, Craig Wentworth told us about the work of Method Studios on AQUAMAN. Now he's talking about EXTRACTION. During his last visit here, Dan Bethell had detailed the work of Method Studios on OUTLAW KING.

In 2017, Pablo Helman explained to us the work of ILM on SILENCE. He talks to us today about his new collaboration with Martin Scorsese. Leandro Estebecoena has worked in visual effects for over 30 years. He joined ILM in 1996 and worked on films like TRANSFORMERS, IRON MAN, STAR TREK and RANGO. Nelson Sepulveda began his career in visual effects in 1994 at Cinesite. He then worked at Centroplois Entertainment and Weta Digital before joining ILM in 2004. His filmography includes films like RANGO, THE AVENGERS, WARCRAFT and KONG: SKULL ISLAND. Ivan Busquets started working in VFX in the early 2000s. He worked at Cinesite, MPC and ILM. His filmography includes films such as THE GOLDEN COMPASS, SUCKER PUNCH, ROGUE ONE: A STAR WARS STORY and BUMBLEBEE. Stephane Grabli joined ILM in 2008. He worked on films such as RANGO, TRANSFORMERS: AGE OF EXTINCTION, STAR WARS: THE FORCE AWAKENS and JURASSIC WORLD: FALLEN KINGDOM.

Last June, Brendan Taylor explained the work of Mavericks VFX on the TV series WHAT WE DO IN THE SHADOWS. He is coming back today to talk about Amazon Studios’ THE BOYS.