The Kid Who Would Be King - résultats de la recherche

Last June, Brendan Taylor explained the work of Mavericks VFX on the TV series WHAT WE DO IN THE SHADOWS. He is coming back today to talk about Amazon Studios’ THE BOYS.

In 2013, Lindy DeQuattro explained the work of ILM on PACIFIC RIM. She then worked on DOWNSIZING.

A few months ago, Matt Glover told us about the work of Mr. X on THE SILENCE. Today, he tells us about his new collaboration with producer Guillermo del Toro for SCARY STORIES TO TELL IN THE DARK.

Stephan Fleet began his visual effects career in 2008 on the TV series KNIGHT RIDER. Has Visual Effects Supervised on many shows including UNDER THE DOME, TIMELESS, and IRON FIST.

Don't miss this nice prologue created by the teams of Glassworks for THE KID WHO WOULD BE KING: https://vimeo.com/348196602 THE KID WHO WOULD BE KID -...

Spencer Cook has more than 28 years of experience in the field of animation. He has worked in many studios such as Digital Domain, Sony Pictures Imageworks, Framestore and MPC. He has worked on films like THE MATRIX RELOADED, THE MATRIX REVOLUTIONS, MEN IN BLACK 3 and BEAUTY AND THE BEAST.

In 2011, Brendan Taylor explained to us the work of Mr. X on HANNA. He then works on TRANSPORTER: THE SERIES and POMPEII. In 2013, he founded Mavericks VFX and took care of the effects of projects like MAN SEEKING WOMAN, THE MAGICIANS and AMERICAN GODS.

The team of Pixomondo (composed of Nhat Phong Tran (VFX Supervisor), Daniel Carbo (VFX Producer) and Matt McClurg (Previz Supervisor)) take us into deep space about their work on the second season of THE ORVILLE:

Everett Burrell began his career in visual effects in 1993 on BABYLON 5. He then worked on many films such as BLADE, THE LEAGUE OF EXTRAORDINARY GENTLEMEN and THE PASSION OF THE CHRIST. As a VFX Supervisor, he took care of the effects of projects like PAN'S LABYRINTH, MAX PAYNE, A GOOD DAY TO DIE HARD and ALTERED CARBON.

The team of FuseFX, composed of Tommy Tran & Kevin Lingenfelser (VFX Supervisors) and Matt Von Brock (CG Supervisor), talk about their work on the Space Battle sequence for this episode of THE ORVILLE: