ender game - résultats de la recherche

Charley Henley began his career in VFX at Mill Film, including working on GLADIATOR. He then joined MPC and worked on numerous projects including LARA CROFT: TOMB RAIDER, 3 HARRY POTTER, 2 NARNIA but also ALIEN VS. PREDATOR, X-MEN: THE LAST STAND or DORIAN GRAY.

Since his last appearance on The Art of VFX for GAME OF THRONES, Angela Barson worked on films like SHERLOCK HOLMES: A GAME OF SHADOWS and THE IRON LADY and also on the TV series GREAT EXPECTATIONS. She talks here about the many challenges for SNOW WHITE AND THE HUNTSMAN.

Chrisophe Dupuis joined BUF in 1995. He has worked on many projects such as BATMAN & ROBIN, FIGHT CLUB or SPEED RACER.

Paul Mitchell has worked 13 years at the BBC as a design director. In 2007, he joined Prologue Films and worked on numerous commercials and movie title such as IRON MAN 2 as Creative Director. He explains the challenges in this adaptation of the board game Battleship.

Grady Cofer is working in VFX for over 15 years. He participated in many projects at Digiscope as an Flame artist such as VOLCANO, TITANIC or GODZILLA. He then joined ILM and worked on films like PIRATES OF THE CARIBBEAN trilogy, STAR WARS EPISODE II and III as well as STAR TREK and AVATAR.

From 8 to 11th Mai took place the FMX 2012 with an impressive selection of high quality conferences. This was an great opportunity to meet many artists interviewed here and also make beautiful meetings. A big thanks to the FMX staffs!

New game cinematic on The Art of VFX with THE WITCHER 2. Maciej Jackiewicz (Animation Director), Bartek Opatowiecki (Senior TD) and Lukasz Sobisz (FX TD) of Platige Image explain in details the creation process for this animation.

Olivier Cauwet joined BUF Compagnie in 1998. He will work on projects like FIGHT CLUB, THE MATRIX RELOADED, ALEXANDER or BATMAN BEGINS. He is also overseeing projects like LES DEUX MONDES, CITY OF EMBER or ARTHUR 3: THE WAR OF THE TWO WORLDS. In the following interview, he talks about the challenge of giving life to the Marsupilami.

Christian Garcia has worked on a various number of projects such as HEAVY METAL 2000, PINOCCHIO 3000 or the TV series CHARLIE JADE. Subsequently, he joined the teams of Digital Dimension where he will oversee the CG on films like RED CLIFF, THE PINK PANTHER 2 or THE SPIRIT. In the following interview, he talks about the CG wolves for THE GREY.

Last year, Adam Valdez speaks to us about the effects of MPC for THE CHRONICLES OF NARNIA: THE VOYAGE OF THE DAWN TREADER. This time, he explains his work on JOHN CARTER.