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FORD V FERRARI: Olivier Dumont – Overall VFX Supervisor – Method...

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In 2017, Olivier Dumont explained the work of Method Studios on KING ARTHUR - LEGEND OF THE SWORD. He then worked on THE NEW MUTANTS.

DOWNTON ABBEY: Kyle McCulloch – VFX Supervisor – Framestore

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In 2017, Kyle McCulloch had explained the work of Framestore for THOR: RAGNAROK. He then worked on MARY POPPINS RETURNS and HOBBS & SHAW.

CARNIVAL ROW: Max Riess – VFX Supervisor – Pixomondo

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Max Riess began his career in visual effects more than 10 years at Pixomondo. He has worked on many projects such as HUGO, STAR TREK INTO DARKNESS, GAME OF THRONES and IRON SKY 2.

JOHN WICK: CHAPTER 3 – PARABELLUM: Glenn Melenhorst – VFX Supervisor...

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Last year Glenn Melenhorst explained the work of Method Studios on TOMB RAIDER. He then worked on CHRISTOPHER ROBIN.

JOHN WICK: CHAPTER 3 – PARABELLUM: Christian Irles – VFX Supervisor...

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In 2017, Christian Irles explained the work of Cinesite on ASSASSIN'S CREED. He then works on AMERICAN GODS and MARY POPPINS RETURNS. He joined Image Engine in 2018.

CATCH-22: Matt Kasmir – Overall VFX Supervisor

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In 2015, Matt Kasmir explained the work of Nvizible work on KINGSMAN: THE SECRET SERVICE. He then took care of the effects of films like EDDIE THE EAGLE and LEAGUE OF GODS. After SUBURBICON, CATCH-22 is his second collaboration with director George Clooney.

CHERNOBYL: Max Dennison – VFX Supervisor – DNEG TV

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Max Dennison has nearly 25 years of experience in visual effects. He has worked in many studios such as Weta Digital, ILM, Cinesite, Framestore and joined DNEG in 2013. He has worked on many films such as the LORD OF THE RINGS trilogy, THE GOLDEN COMPASS, OUTLANDER and KRYPTON.

WARRIOR: Loni Peristere (Co-Founder / Partner and Director) & Nathan Overstrom...

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Loni Peristere is a TV series director (he won an Emmy Award) and is the co-founder of Zoic Studios. He has directed episodes for many series such as BANSHEE, OUTCAST, A SERIES OF UNFORTUNATE EVENTS and AMERICAN HORROR STORY. Nathan Overstrom started his career in visual effects in 2004 at Zoic Studios. He works on many projects like TERMINATOR: THE SARAH CONNOR CHRONICLES, THE GREY, NOAH and HOLD THE DARK.

GOOD OMENS: Jean-Claude Deguara – VFX Supervisor & Co-founder – Milk...

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Jean-Claude Deguara started his career in visual effects in 1995. He worked in many studios such as MPC and The Mill. In 2013, he co-founded Milk Visual Effects. As a VFX supervisor, he took care of the effects of projects like JONATHAN STRANGE & MR. NORRELL, BEOWULF: RETURN TO THE SHIELDLANDS and SHERLOCK. He talks to us today about his work on GOOD OMENS.

TRIPLE FRONTIER: Mark Russell – Overall VFX Supervisor

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In 2011, Mark Russell explained his work on TOWER HEIST. He then worked on many films such as THE WOLF OF WALL STREET, A MOST VIOLENT YEAR, THE PROMISE and DEEPWATER HORIZON.