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Cinesite acquires Trixter!

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Big news! New acquisition inside the visual effects industry as Trixter is now part of Cinesite! Here is the official press release: TRIXTER, GERMANY’S LEADING VFX...

THE MARTIAN: Richard Stammers – Production VFX Supervisor

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In 2014, Richard Stammers had explained to us his work on X-MEN: DAYS OF FUTURE PAST. He now talks about his new collaboration with Ridley Scott for his film THE MARTIAN.

Interviews and Book Review of the Week #21

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GODZILLA: Jim Rygiel – Production VFX Supervisor Jim Rygiel began his career in VFX in 1980 at Pacific Electric Pictures. Then he joined Boss...

HANSEL & GRETEL WITCH HUNTERS: Rebecca Marie – VFX Producer &...

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Having worked for many years at Pacific Data Images (PDI) on projects such as TOYS, TRUE LIES or NATURAL BORN KILLERS, Rebecca Marie founded Hammerhead in 1995 with Jamie Dixon, Thad Beier and Dan Chuba. She has participated in very many movies including TITANIC, DEEP BLUE SEA, X2, WANTED or THE BOOK OF ELI.

PROMETHEUS: Charley Henley – VFX Supervisor – MPC

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Charley Henley began his career in VFX at Mill Film, including working on GLADIATOR. He then joined MPC and worked on numerous projects including LARA CROFT: TOMB RAIDER, 3 HARRY POTTER, 2 NARNIA but also ALIEN VS. PREDATOR, X-MEN: THE LAST STAND or DORIAN GRAY.

SNOW WHITE AND THE HUNTSMAN: Henry Hobson – Creative Director –...

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After he talked about his work on RANGO, Henry Hobson has worked on projects like THE HANGOVER PART II, FRIGHT NIGHT or THE THING. He returns to The Art of VFX to explain his work on SNOW WHITE AND THE HUNTSMAN.

ABDUCTION: Greg Liegey – VFX Supervisor – Method Studios

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Greg Liegey begins his career in Visual Effects in 1992 at Cinesite L.A. where he worked on such films as UNDER SIEGE 2, CONTACT or SPACE JAM. Then he worked as freelance at Sony Imageworks and ILM. In 2002 he joined the team of CIS Hollywood (now Method Studios) and work on films like MATRIX REVOLUTIONS and CONSTANTINE. As a VFX supervisor, he has worked on films like THE MUMMY: TOMB OF THE DRAGON EMPEROR, I AM LEGEND or FAST AND FURIOUS 4.

RANGO: Henry Hobson – Creative Director – Prologue Films

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Trained at the Royal College of Art, Henry Hobson joined Prologue where he created the titles of many films such as SHERLOCK HOLMES, THE WALKING DEAD or THE THING. In the following interview, he discusses his work on RANGO.

PRINCE OF PERSIA: Stephane Ceretti – VFX Supervisor – MPC

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Stephane Ceretti worked for nearly 12 years at BUF in Paris on films such as ALEXANDER, MATRIX 2 and 3, HARRY POTTER 4 or BATMAN BEGINS. Then he moved to MPC in London as VFX supervisor on PRINCE OF PERSIA. Since this film, he joined Method Studios still in London, where he oversaw THE SORCERER'S APPRENTICE.

Netflix acquires Animal Logic

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What a big news! After Scanline VFX, Netflix has decided to acquire a new studio with Animal Logic! Here is the press release: Netflix and Animal...