Rhythm & Hues - résultats de la recherche
Si les résultats ne sont pas satisfaisants, veuillez effectuer une autre recherche
AD ASTRA: Eric Andrusyszyn – Compositing Supervisor – MPC
Eric Andrusyszyn has worked for more than 10 years in visual effects. After working at Rhythm & Hues, he joined MPC in 2013 and works on films like BATMAN V SUPERMAN: DAWN OF JUSTICE, INDEPENDENCE DAY: RESURGENCE, JUSTICE LEAGUE and AQUAMAN.
TRUE DETECTIVE – Season 3: John Heller – VFX Supervisor –...
John Heller started his career in visual effects more than 20 years ago. He has worked in many studios like VIFX, Rhythm & Hues, Furious Effects and then he joined FuseFX in 2015. As a VFX Supervisor, he took care of the effects of projects such as RUSH HOUR, OUTSIDERS, THE LAST TYCOON and THE GOOD DOCTOR.
ALITA – BATTLE ANGEL: Raymond Chen – VFX Supervisor – DNEG
In 2012, Raymond Chen explained the work of Rhythm & Hues on CHRONICLE. He then worked on WINTER'S TALE and then INTO THE STORM. In 2016, he joined DNEG and took care of the effects of films like STAR TREK BEYOND and THE MEG.
DEADPOOL 2: Dan Macarin – VFX Supervisor – Weta Digital
Dan Macarin worked at Animal Logic and Rhythm & Hues before joining Weta Digital in 2008. He has worked on many films such as HAPPY FEET, THE GOLDEN COMPASS, AVATAR, DAWN OF THE PLANET OF THE APES, THE BFG and MAZE RUNNER: THE DEATH CURE.
AVENGERS – INFINITY WAR: Greg Steele – VFX Supervisor – Method...
Greg Steele began his visual effects career at Rhythm & Hues in 2004. He has worked on films such as NIGHT AT THE MUSEUM, THE INCREDIBLE HULK, X: FIRST CLASS and DJANGO UNCHAINED. He then joined Method Studios in 2013. He took care of the effects of films like GUARDIANS OF THE GALAXY, ANT-MAN, CAPTAIN AMERICA: CIVIL WAR, GHOST IN THE SHELL and GUARDIANS OF THE GALAXY VOL. 2.
OKJA: Erik-Jan de Boer – VFX Supervisor – Method Studios
Erik-Jan de Boer began his career in the VFX at MPC in 1989. He then worked at Rushes before joining Rhythm & Hues in 1996 where he worked more than 16 years as an animation supervisor. In 2013 he won an Oscar for Best Achievement in Visual Effects for LIFE OF PI. He then joined Method Studios.
THE GREAT WALL: Jay Mehta – VFX Supervisor – Base FX
Jay Mehta started his career at Rhythm & Hues in 2007, where he worked on projects such as THE GOLDEN COMPASS, THE INCREDIBLE HULK, SNOW WHITE AND THE HUNTSMAN and LIFE OF PI. He then joined Base FX in 2014 and worked on projects like AGENT CARTER, BLACK SAILS and EQUALS.
ALICE THROUGH THE LOOKING GLASS: Jay Redd – VFX Supervisor –...
Jay Redd started his career at Rhythm & Hues before joining Sony Pictures Imageworks in 1996 to work on CONTACT. As VFX supervisor, Jay took care of the effects of films like THE HAUNTED MANSION, MONSTER HOUSE or MEN IN BLACK 3.
CAPTAIN AMERICA – CIVIL WAR: Dan Deleeuw – Overall VFX Supervisor
Dan Deleeuw began his career in the visual effects in 1992 at Dream Quest Images and then joined the teams of Rhythm & Hues. He worked on many projects such as THE ROCK, REIGN OF FIRE, NIGHT AT THE MUSEUM or IRON MAN 3. CIVIL WAR is his second collaboration with the Russo brothers.
MAZE RUNNER – THE SCORCH TRIALS: Pavani Rao – CG Supervisor...
Pavani Rao began her career in visual effects in 2005 at The Orphanage. She then joins Rhythm & Hues and work on many films such as THE GOLDEN COMPASS or THE INCREDIBLE HULK. In 2009 she moved to Weta Digital to work on AVATAR. She then worked on RISE OF THE PLANET OF THE APES, THE ADVENTURES OF TINTIN and the HOBBIT trilogy.